Reggae Report Publisher Releases Vol. 1 of Reggae Trilogy: 200+ 80s & 90s Reggae & Dancehall Artist Headshots
The First eBook from the Reggae Report Archives is an Essential Timeline Depicting the Fashion, Culture & Lifestyle of this Dynamic Era
Publisher M. Peggy Quattro releases the first compilation of Reggae history from the Reggae Report Archives. Reggae Trilogy Vol. 1: 200+ 80s & 90 Artist Headshots is an entertaining, engaging time capsule that features 13 chapters of Reggae and Dancehall Headshots. Each collection begins with a personal and enlightening introduction by the Reggae pioneer. More than 200 promo Headshots depict the distinctive fashion, culture, and lifestyle that catapulted Reggae artists onto the 80s and 90s world stage.
Thousands of promotional Headshots poured into Reggae Report for more than 20 years. As a fan and archivist, Ms. Quattro knew one day these photos would tell their own story. This wealth of photos will be delivered in three volumes of the Reggae Trilogy series. Crucial chapters include the Bands, Legends, Women, Singers, Groups, Dub Poets, Dancehall, Musicians, USA Reggae, International, Industry Pros, The Marleys, and Where Are They Now?. Continue reading →
Interviewed by M. Peggy Quattro
Written by Sara Gurgen
The talented ladies in Reggae have historically taken a back seat to the popularity of their numerous male counterparts. A handful of singers, and even fewer DJs, have held their ground and withstood the test of time.
Not to be outdone by the current crop of new lady DJs, the lovely and talented Lady G has consistently proved that she is not yet ready to be considered among the “dead and gone.” The sweet appearance of Lady G does not belie her steely interior, and the Spanish Town-born DJ has taken her shot at macho males with her latest sizzling releases. Lady G, who has seen a great response to her hit song “Me or the Gun,” a demand that her man chooses between which one “gives more fun,” is now coming in strong with her latest song “If I was a Gal.”
“You’ve got guys who call women gals; that’s not the right way for a man to style [call] a woman,” said Lady G following her terrific performance inside Ft. Lauderdale’s Reggae Cafe. Referring to her new song, she goes on to explain: “It’s not the name they should call the women. In some countries–like Trinidad–they call their women gal. It’s not the name that they call the women, it’s the way they express it.” Lady G is telling the men that if they want to get a woman’s attention, these days, that’s not the way to do it. Continue reading →
CAPLETON – THE PROPHET ‘PON “TOUR”
by Patricia Meschino
The imposing stage at Jamworld, St. Catherine, Jamaica, the largest open air entertainment center in the Caribbean and occasional home of Sting and former home of Reggae Sunsplash, is a challenge for any musical artist. When an entertainer fails to meet audience expectations there, the repercussions are greatly magnified; but when an artist delivers spectacularly, the effects seem to reverberate all the way to the island’s north coast!
While Sunsplash ’94 was, as a whole, not as successful as previous years, the five-day event nonetheless produced some unforgettable musical moments that are still being talked about. On Dancehall Night, the performance most “Splashers” are still raving about came from Capleton.
One of the most satisfying cuts on Canadian DJ Snow’s new release, Murder Love, is a tale of his love affair with Reggae music called “Dream.” Here Snow reminisces about his days in Toronto’s Allenbury housing project, where he first became acquainted with Reggae through the friendships formed with the many Jamaicans who had moved into his area: Listen Shabba Ranks playing faintly from the speaker/I would eat mi curry chicken, that’s my favorite supper/If you think mi joke or lie, gwaan ask me mother/I would living on the island sweet, sweet Jamaica/Fish with Coco Tea down in the river/Hanging at the ghetto with me boy they call Ninja/No, but it’s only a dream.Continue reading →
Buju Banton cries out for divine help in “God of my Salvation”; Capleton gives assurance that the Emperor still sits on the throne with the constant reminder that “Selassie liveth every time,” while Garnet Silk’s equally prolific shouts of “Jah Rastafari” have given the proclamation Bob Marley made internationally famous new flavor.
Such are the lyrics of cultural change that have been blaring through the speakers of Jamaica’s dance halls in recent times, replacing the gun and ribald lyrics of the DJs that dominated for the greater part of a decade. The cultural rebirth in the dance halls has also sparked a second coming of the Rastafari religion that traces its roots back to the late 1950s and which gained worldwide prominence in the 1970s with the international emergence of the dreadlocked Marley. Continue reading →