Tag Archives: dancehall

MPeggyQ Celebrates 40 Years inna Reggae- from A to Z!

Take a Reggae Journey with Me to Enjoy 40 Years of People, Events, Work, Travel, & Fun!

Since 1981 – from A to Z!

With so much to share, I’m going to spread my A to Z out over a few posts. Enjoy A to O and come back, right here, for more! Trust mi, there’s ’nuff ’nuff history & fun times for you to enjoy this whole year! One Love, M Peggy Quattro

*RR = Reggae Report Magazine

AAswad – The popular UK Lovers Rock trio was inspired by Marley in the ‘70s & later befriended BMW in ’76. Always sweet & gentlemanly, Tony Gad, Drummie Zeb & Brinsley Forde were RR favorites & were featured on three covers, in multiple issues, & headlined a packed Cameo Theater ’91 concert that I promoted & co-produced in Miami Beach. They were my May featured artist in RR’s popular 1995 Calendar.

The Aswad Poster I printed for Cameo show – V9#5 1991 Cover – Aswad checking RR & my ’95 Calendar – Aswad with Princess Di – Click to View!


BBob Marley – Our connection began in 1974 Nürnberg. This intro led to a job in his manager’s Miami office. My first day was May 11, 1981. RR featured annual Bob tribute issues with stories, pics, interviews, & more. I became friends with his mother, children, families; produced two BM Festival magazines; & sponsored several BM festivals. In 1995, I received a BM World Peace Award in Antigua. In 2008, I wrote & coordinated the Bob Marley Tribute that remains atop Mystic Mountain/Bobsled Jamaica in Ocho Rios today. Long live the king!

Me getting BM World Peace Award, Antigua ’95 – RR Article 1990 – BM Vinyl w Logo – Bob Marley Tribute Issues 1983-1998 – Bob Pull Out Poster V6#4 1988 – MPQ w the Marley Tribute I wrote for Mystic Mountain ’08 – Click to view!


CCedella Marley Booker – Getting to know, interview, travel & spend time with Bob’s mother, affectionately known as Ms B, was a definite highlight. Her fierce courage, wisdom, humor, talent, & home-cooking made for unforgettable & inspiring times. A fan favorite, Ms B was featured in RR many times. We shared successes & supported each other through complex times. It was an honor to speak in eulogy at Mother Booker’s fabulous life celebration in 2008. I miss her energy but feel her spirit.

Cindy B, Ms B & Me, Hard Rock, Miami – Me & Ms B, somewhere in the ’90s – Ms B gets key to Houston, ’90s pic by me – Philip Michael Thomas, Ms B, & me at our Time Will Tell movie premiere, Miami – Ms B, Woody Harrelson & Wesley Snipes, BM Fest, Miami, pic by me – Ms B & Ernie Smith perform at Small Axe Awards, Miami Beach ’86 – Ms B, Me, my dawta Arielle, & I Jabulani Tafari at Nine Mile – Click to view!


D Don Taylor – I’m so grateful for Don sighting my tenacity & passion, & for hiring me as his assistant. He was managing Bob, Jimmy, & Gregory then & I was overjoyed. On my first day, May 11, 1981, Bob died. The Reggae world changed forever. I changed. Don T & I remained friends after I left. I always rated him a top-notch manager. We saw each other often, in Miami, JA, & at Midem in Cannes ’97 where JA’s showcase stole the show! When I interviewed him about his ’90s tell-all book, we revisited my ‘first day’ & the intense times that followed. I was sad to hear of his passing at only 56 & often think about what he’d be doing if he were with us today.

Don & Me, MoBay ’90s – Don & Bob – Don & Me, Cannes ’97 – Don, Bob, George Harrison ’76 – Don & Me, Kgn – Don, Me, Danny Sims, Kgn ’80s – Click to view!


EE-BookReggae Trilogy: 200+ 80s & 90s Artist Headshots-Vol. 1 is my fun tribute to the music makers & frontline pioneers who shaped these remarkable decades. With 1000+ Headshots in the RR Archive, I found a way to utilize this treasure trove & share the fashion, culture, & lifestyle of Reggae’s Global era in an educational & entertaining e-book. There are 13 Chapters, my intro & a Foreword by Nadine Sutherland. Have a look – you may be in it! Or maybe your parents…or grandparents!

Reggae Trilogy: 200+ 80s & 90s Artist Headshots – Legends sample – Artist Index – Artis tNames – Singers Chapter Intro – 5 stars! Great reviews! Get yours now! – Click to View!


FFestivalsDirecting Caribbean Sunburst at Miami’s Marine Stadium was a mixed blessing – awesome 4 days but promoters ran off with all the $$, fi real. Later, RR co-sponsored many Miami Reggae Fests. JA’s Sumfest & Sunsplash Fests-my faves-were jam-packed with locals & global visitors coming together in One Love. I witnessed Cartagena’s Caribbean Music Fest in a bullring (while pregnant) & the Cancun Bob Marley Fest on the beach. Being part of Fests from LA & Miami to NYC & Hawaii, & around the Caribbean was a total blast!

Caribbean Sunburst Poster ’82 – Sumfest Daybreak ’90s – MPQ Reggae Rockin’ in JA – RR Sumfest Co-sponsor ’90s – MPQ, Mikey Zappow, Sudden Impack land in Cartagena ’85 – MPQ with Directors Ron Burke (Sunsplash) & Walter Elmore (Sumfest) – Cartagena 100K Fans at Wall Concert ’88 – Sumfest Daybreak Crowd ’90s -Review Cartagena Fest ’88 – Click to View!


GGregory Isaacs – Didn’t know the Cool Ruler before meeting him thru Taylor in ‘81. He was a real character with a raspy voice that turned silky when he sang. In ’82, I convinced Gregory to headline at Sunburst. He’s featured on RR covers & articles, including an interview I did at his home shortly after his wedding & wild SuperJam ’83 performance. Also, catch his notable performance in the movie, Rockers. We remained friends over the decades, in spite of his expected, charming, fruitless advances. Gregory sadly passed at age 59 from cancer.

Gregory at his peak in the 80s – Me with Gregory at his shop in Kingston – Grumpy Gregory outside a Kingston studio – Gregory’s 1st RR cover in ’84 – Gregory live at SoFla Vintage Show in 2009 – Gregory live at Sunsplash – Click to View!


HHaile Selassie I – The influence & teachings of His Imperial Majesty Haile Selassie I has permeated Reggae since the late ’60s. Rastafari believe Selassie is the son of God/Jah. When I met Rasta elder Mortimer Planno in JA in the early ’80s, he kindly answered my many questions. RR featured a So Jah Seh section each issue that presented quotes & highlights of H.I.M.’s many speeches. We also featured historical articles on H.I.M., the beginnings of Rastafari in JA, & insight into the more modern Twelve Tribes sect. Many Rastas moved to Shashamene & the land granted them by Selassie in Ethiopia. 

Emperor Selassie represented as the Lion of God – Selassie met by Planno on his 1966 arrival in Jamaica – HIM & his famous hands’ position – His Majesty on Time magazine cover 1930 – A Nyhabinghi drumming session – Bob Marley with HIM backdrop – Click to View!


IInner Circle – Met these uptown-Kingston “bad boys” in ’82 when I worked with producer Joe Gibbs, where their Miami-based pressing plant was nearby. For ‘82’s Sunburst fest, they were the backing ‘Fatman Riddim Section’ & again for our Marcia Griffiths show that same year. The band was featured on several RR covers & reported on & written about countless times, including a tour to Belize I was invited on. Memorable was a surprising offer from the leader I had to decline. We have a lot of history-from Top Rankin’ to Circle House-and were friends for more than 30 years, ‘til we weren’t. C’est la vie.

The Inner Circle band was May in my ’96 Calendar – Caught this backstage pic at White River ’90s – Roger, Me, & Lance somewhere – Cover V7#7 1989 – Cover V16#2 1998 – The Lewis Brothers – Took this at the airport on our way to the Belize fest – Click to view!


JJimmy Cliff – My introduction to Reggae was Jimmy Cliff and The Harder They Come – album & movie – while living in 1974 Nürnberg. I was hooked; my music found me. Meeting & working with Jimmy in ’81 was a true blessing. On a trip to NYC to work his show, I was introduced to Jagger & Yoko backstage! Besides being friends, he was my mentor when RR began in ‘83. He offered his home as a base when I traveled to Kingston. Once on the front stoop, he advised me to put a price on RR: “You haffi get paid for your work.” Good advice.

Me & Jimmy backstage, Miami late ’80s – Jimmy “Bongo Man” Cliff – Jimmy’s 1st RR Cover ’84 – V14#10 1996 Cover – My Jimmy cover, shot in his front yard, V4#2 1986 – V6#1 1988 Cover – Click to View!


KKy-mani Marley – This talented Marley rocketed into my orbit in ‘94 when the then 18-year-old performed with the Marley Festival tour in TX & Cancun. He struck me as a surefire star, and we became pals as I followed his career. His uncanny similarity to his father’s voice garnered global attention. Albums, a Grammy nod, an acting career, & a published autobiography soon followed. He was featured on a 90s RR cover & in many articles & reviews. Born in Jamaica & raised in Miami, Ky-mani continues to write, record, perform, and act from his South Florida base.

Kymani Cover 1997 – MPQ & Kymani at Bob Marley Exhibit 2013 – Kymani with Specialist 90s – Serious Kymani – Damian & Kymani ’94 – Ky backstage at Miami Marley Fest – Ky and Tito Puente, Jr. at Midem Miami – Click to View!

LLucky Dube – This talented Marley rocketed into my orbit in ‘94 when the then 18-year-old performed with the Marley Festival tour in TX & Cancun. He struck me as a surefire star, and we became pals as I followed his career. His uncanny similarity to his father’s voice garnered global attention. Albums, a Grammy nod, an acting career, & a published autobiography soon followed. He was featured on a 90s RR cover & in many articles & reviews. Born in Jamaica & raised in Miami, Ky-mani continues to write, record, perform, and act from his South Florida base.

Return of Ladies in Reggae 2008

The Return of LADIES IN REGGAE

by Lloyd Stanbury

Millie Small - the 1st Female Reggae Star
Millie Small – the 1st Reggae Star to Sell a Million Records!

Kingston, Jamaica – In the early days of Jamaican popular music, our female singers and songwriters played a major role in propelling our music onto the world stage. In fact, the first major international Jamaican hit recording was by one of Jamaica’s female pioneers, Millie Small, with her 1964 million-selling single “My Boy Lollipop.” Its success opened the doors for such artists as Phyllis Dillon, Marcia Griffiths, Judy Mowatt, Hortense Ellis, Pam Hall, Rita Marley, Carlene Davis, J.C. Lodge, Cynthia Schloss, Lorna Bennett, Dawn Penn, Sheila Hylton, and Nadine Sutherland, all of whom established themselves as mainstream recording and performing artists.

Etana - New Generation of Powerful Female Singers
Etana – New Generation of Powerful Female Singers

For some strange reason, however, the early achievements of our female artists did not result in the kind of follow-through seen by their male counterparts. For many years, we have failed to produce top-class female Reggae recording artists and performers. With the exception of the local and international successes of Diana King, Patra, Sasha, Foxy Brown, and Lady Saw, female Reggae and Dancehall artists have become a very scarce commodity over the last 25 years. Continue reading

Buju, Koffee & Skip Score NAACP Award Nods

Buju Banton, Koffee & Skip Marley Score Nods For 2021 NAACP Image Awards

Buju Banton
Buju Banton

Jamaica is well represented in the recently announced slate of NAACP Image Awards nominees. Dancehall legend Buju Banton and last year’s Grammy Award winner Koffee have both secured two nominations each for the Awards, while Reggae singer Skip Marley has earned one nod from the US-based civil rights organization.

Skip Marley
Skip Marley

Koffee
Koffee

In the Outstanding International Song category, Buju Banton has earned one nod for Blessed which appears on his Upside Down 2020 album. His second nomination in the same category was received for the Pressure (Remix) with Koffee, who also secured her second nod with the hit song Lockdown. Nigerian singers Davido and Tiwa Savage were also nominated in the category.

Meanwhile, Skip Marley‘s Higher Place from his EP of the same name earned him one nomination in the Outstanding New Artist category alongside Chika, Doja Cat, D Smoke, and Giveon. Marley wrote on Twitter yesterday that he was honored to be included among this group of nominees.

The 52nd annual ceremony will be simulcast on March 27 at 8 p.m. ET across Viacom CBS Networks.

~From Dancehallmag.com.  Click here for more details.

How to [Maybe] Get a Reggae Grammy Nomination

The GRAMMY Nomination Process Simplified

By M. Peggy Quattro

Grammy Award and Logo

Since 1958, the GRAMMYs have celebrated music excellence. It is the music community’s highest honor & its only peer-based award.

The GRAMMY is awarded to musicians, songwriters, producers, engineers, & industry professionals.

Inside Jamaica’s Reggae community, there’s always much discussion about the USA GRAMMY Awards, especially the highly coveted Best Reggae Album Award.

Ever since the first Reggae GRAMMY went to Black Uhuru in 1985 (when it was called Best Reggae Recording), there’s been dissension in the Reggae family, along with confusion, arguments, debates, & disagreements surrounding why someone was nominated…or why not.

Let’s start with some facts: currently, there are  30 fields (General, Pop, Rock, Reggae, etc.) to be considered, as well as 84 distinct award categories across those fields. The Reggae category is for “an album containing at least 51% playing time of new Reggae recordings.”

To be clear, I am not an Academy member or a Reggae GRAMMY expert. However, I join others who are interested in how the “final five” selection comes about. So, I set out to educate myself & now I can share what I’ve learned with you.

What follows is information on the Recording Academy, how to join, & the GRAMMY Nomination process. Academy links are provided for more info. I truly hope this helps answer the countless questions as to how, when, who, and why a Reggae album ultimately acquires this sought-after recognition.


FIRSTLY – JOIN THE ACADEMY

Like the GRAMMY Awards, Recording Academy membership is community-driven & peer-reviewed on an annual cycle. Pay attention to the dates & deadlines!

You must be invited to join. To be considered for an invitation:

  1. Get two strong recommendations from music industry peers. (Click this link to learn how to get recommendations.)
  2. Your profile is completed only after your recommendations are received by the Academy & you tell them more about your career.* Profiles must be complete by midnight on March 1 to be considered for that year’s class.
    *Candidates will receive an email with a link & candidate code to complete their career profile.

New member submissions are considered by the Recording Academy’s Peer Review Panel each spring, & will approve memberships at its sole discretion after assessing your submission. 

Grammy Award photo If approved by Peer Review, candidates are invited to join the Recording Academy by July 9 and have until that year’s GRAMMY Awards voting deadline to accept.

*Become a Recording Academy member here*

 THE WHO & HOW

Who can enter recordings for consideration? Do I qualify?

The Recording Academy accepts entries online from Professional & Voting Members, as well as registered media companies. Members are permitted to submit their own eligible recordings as well as the recordings of their peers for consideration.

How do media companies submit product for GRAMMY consideration?

Record labels, distribution companies & management firms qualify as media companies. Media companies must register with the Recording Academy every year to submit/enter recordings. Once your media company registration has been confirmed, the Awards department will send the media company’s designated administrator detailed submission instructions.  More Academy FAQ’s here.


“The Reggae GRAMMY Category does need some change. But change won’t happen if Reggae artists are on the menu…but NOT at the table.”  ~Barbara Johnson, Media Exec


Read This Interesting  Committee Background

I highly recommend you read this clip from a 2014 article by friend, writer & major Dancehall & Reggae enthusiast ROB “Boomshots” KENNER. He tells of his experience as an Academy Screening Committee member while raising a few very interesting questions. (More on the process below.)

ROB:  “[The] screening committee goes through every single album that had been submitted—usually by record labels, but sometimes by members of the Recording Academy. (In a category like reggae, where much of the music is produced by smaller independent labels who may not be familiar with the GRAMMY entry process, the best records are sometimes not even submitted.)

“Members of that committee were not supposed to concern ourselves with quality—our job was to determine whether each album belonged in the reggae category. The rules stated that 51% of the album’s tracks had to consist of reggae music (a genre that includes such disparate styles as roots reggae, ska, dub, and dancehall.)


“…Famous people tend to get more votes from clueless Academy members, regardless of the quality of their work.”


“…Famous people tend to get more votes from clueless Academy members, regardless of the quality of their work. This is especially true in specialized categories like reggae…That’s the reason why famous names like Marley, Toots, and Sly & Robbie stand a much better chance of winning in the reggae category than, say, Beres Hammond.

[Rob soon paid his membership fee and joined the Recording Academy as a voting member. His story continues:] “Here’s how the process works: Voting members review lists of all the eligible recordings in each category (the ones generated by screening committees like mine.)

“Members are supposed to vote only in their fields of expertise—and in a maximum of 9 out of the 31 fields on the ballot… A few categories are reserved for special nominating committees, but frankly—not enough… In the final voting process, members are allowed to vote in even more categories—up to 20, plus the 4 general categories.

“Bottom line: the vast majority of the nominations are chosen by people who have little real expertise in a given field. I refrained from voting in heavy metal and classical because I know very little about those genres. But I could have if I wanted to, and that strikes me as a problem.”   Read Rob’s entire 2014 Complex.com article here.


“We don’t need a dancehall category…that would set us back…people are being fooled about separating dancehall from reggae…We’re always trying to create something instead of focusing on what we have and building that.” ~Ibo Cooper, JaRia


NOW, HERE’S THE PROCESS…

SUBMISSION
It begins with members & record companies submitting entries, which are then screened for eligibility and category placement. The Academy’s voting members, all involved in the creative & technical processes of recording, then participate in (1) the nominating process that determines the five finalists in each category; & (2) the final voting process which determines the GRAMMY winners.

SCREENING
After review by 350 experts in various fields, the screening committee places the album in its proper category. No artistic or technical judgments about the recordings are made. The entries move on to the nominating committee.

NOMINATING
First-round ballots are sent to voting members in good dues standing. To help ensure the quality of the voting, members are directed to vote only in their areas of expertise; they may vote in up to 15 categories in the genre fields plus the four categories of the General Field (Record of the Year, Album of the Year, Song of the Year, & Best New Artist.) Ballots are tabulated by the independent accounting firm of Deloitte.

FINAL VOTING   (Note: This is where I’m a little confused. The Reggae category is not sent to a Nominations Review Committee–see graphic below–before the final vote. The Reggae nominees selected from the first nominating committee go right to final vote, with no review. Maybe someone reading this can explain it to us.)grammy voting graphic Final-round ballots are then sent to voting members in good dues standing. In this final round, Recording Academy members may vote in up to 15 categories in the genre fields plus the four categories of the General Field.

So good people, that’s how it’s done!


More Helpful Info:

Key Dates for 2020-2021

  • Sept. 1, 2019—Aug. 31, 2020Product Eligibility Period
  • Sept. 30—Oct. 12, 2020: First-Round Voting—eligible members vote to determine the 2021 nominees!
  • Nov. 24: Nominations Announcement!
  • Dec. 7, 2020—Jan. 4, 202: Final-Round Voting—this round determines the GRAMMY winners!
  • Jan. 31, 2021: 63rd GRAMMY Awards & Premiere Ceremony (8 p.m.CBS)

Check it! Recent Academy Changes

You will notice that any terms that include the word urban* have been removed from category titles. The Recording Academy stated in November 2020 “that describing music as ‘urban’ and ‘urban contemporary’ has ‘historically been used as a way to separate Black artists’ from the (white) artistic mainstream.”
*Exception, one Latin category… go figure. 

2020 grammy award logoOther changes announced involve Best New Artist parameters & taking a closer look at all possible conflicts of interest.

Interestingly, “the Academy members who serve on its so-called nomination reviews committees, which determine the final nominees in most award categories, must disclose any connections they have to potentially nominated artists and projects.”

“Two glaring disclosures only now being asked are:  (1) Do you have any “immediate family ties” to a potential nominee? And (2) Will you as a voter, have any “direct or indirect financial ties” to a project or artist under consideration?”

But, as with all vague changes & GRAMMY nominations, there are questions, controversies, and contention. 

LASTLY – ABOUT PROMOTION

Labels, artists & media companies are welcome to promote their album but must follow these Voting & Solicitation Guidelines, i.e., voters may not accept money or anything of value for a vote, no agreement to trade votes, & voters must not be influenced in any other way other than their own analysis of merit.


I hope this helps you understand the GRAMMY Awards nomination & voting process. If you like this info or have a question, say so in the comments below.

1♥

 

Damian Marley on Family and Recording with Nas 2011

Damian “Junior Gong” Marley Interview  –  Perth, Australia 2011

By Mumma Trees

Ed. Note: In Australia for the 2011 4-day Good Vibrations Fest, Damian Marley, along with his latest collab partner Nas, were featured artists on a stellar festival lineup that included Faithless, Ludacris, Janelle Monae, and Erykah Badu. Prior to the show, Perth radio personality and journalist Mumma Trees caught up with the young Marley in Miami via phone.  Featured photo by Jan Salzman. Watch the Damian & Nas video “Nah Mean” below or on our YouTube channel.  

Early Days & Inspirations

Damian Marley by Lee Abel
Damian Marley * Photo Lee Abel

How did you start, Damian, what made you get up there and do what you do?

Well, I mean I think it goes without saying that I have an obvious influence from my family, you know my father, and of course, my older brothers and sisters are all involved in music. But growing up as a child, I used to go to a lot of concerts in Jamaica and watch some of my personal musical heroes, which would be people like Shabba Ranks and Supercat, who are some of the earlier Dancehall artists. I used to watch them perform and that’s really what got me into wanting to perform myself.

That’s interesting because your brothers are singers, but you have chosen the deejay style.

Yeah. And that’s definitely because of that same influence… like the first music I bought for myself was Dancehall music.

Are there any current Dancehall artists who are doing things that you admire?

Yeah, I mean, lots of them, I am a big fan of music in general, you know wha I mean, so I try my best to keep up-to-date with what’s going on, especially in Jamaica. I mean lots of them, you have Mavado, Gyptian, Tarrus Riley, Wayne Marshall, Vybz Kartel, you have loads of them, and I am a fan of their music.

You mention Vybz Kartel, what’s your opinion of the slackness in Dancehall music coming out in the last few years from artists like him?

I mean, the music I bought as a child was slack also. And I am a big advocate of freedom of speech. You have to be free to say something negative, to be free to say something positive. So I am a big advocate of that. And realistically, you know music is an honest way of making a living. You know, somebody could be out there doing something that isn’t…. Music don’t really hurt nobody. So if Vybz Kartel is making an honest living for himself, you have to respect that.

Damian, Stephen, Julian Marley
Damian, Stephen, & Julian Marley – W. Palm Beach * Photo Lynn Dearing 2010

Were you close with your brothers and sisters growing up?

We were very close growing up. Every vacation, summer holidays, I would always go and spend a few weeks with them, and you know, we were very close from when I was a child.

When you have performed with your brothers, it has been as the “Ghetto Youths Crew,” are you still working together on that?

Well, we still are a team, but performing as the Ghetto Youths Crew, we haven’t done that in many years now. But we still definitely work as a team. We have a whole lot of new young artists we are working with and getting ready to release some projects next year.

Collaboration with Nas

Your latest collaboration with Nas has been a huge worldwide hit. Can you tell me about the album title Distant Relatives?

Nas and Damian Marley
Nas & Damian Marley in Florida *. Photo Alex Broadwell

It’s called Distant Relatives because of different reasons. Nas and myself, being that we are ‘distant relatives,’ Hip-Hop and Reggae as two genres of music being ‘distant relatives.’ Then on a bigger scale now, all of humanity, because the album itself has the concept of Africa intertwined throughout the whole album. We are trying to say that all of humanity comes from the same birthplace, Africa. So, all of us as humanity are ‘distant relatives.’

Speaking of Africa, I have seen videos of you and your brothers performing in Ethiopia. Have you performed in any southern African country? 

I have performed in Ethiopia and Ghana, but those are the only places in Africa I have visited so far. But for sure, my father’s song is the national anthem of Zimbabwe. So, that’s definitely a place I want to go and visit.

You had a couple of big tunes a few years ago produced by Baby G, The Mission and One Loaf of Bread. Are you planning to do any more work with Trevor Baby G?

It’s funny you say that because he is actually here in Miami. We have been doing some work together over the last few weeks. We’re trying to get a few Dancehall tracks together, so actually, I have a few tracks with Baby G being released in the next few weeks.

You are coming to Perth as part of the Good Vibrations festival, a great national festival, what can we expect from your performance here with Nas?

Nas & Damian Marley
Nas & Damian Marley, Pompano Beach, FL *. Photo Alex Broadwell

You can expect the best of both worlds. You can expect a great coming together of two genres of music. We do some of the tracks together that we have on the album, then the both of us give a little bit of our own catalogue of music. You gonna get a nice mix of Hip-Hop and Reggae.

Do you have a message for the Perth people?

Yeah man, tell dem Love and we will be there soon. Respect.

Nas & Damian “Zilla” Marley – “Nah Mean” from 2010’s Distant Relatives LP

 

 

 

 

 

 

 

 

 

Buju Banton: Dancehall’s DJ Prince – 1992 Reggae History

Love Mi Buju: Dancehall’s Ruff ‘n Gruff DJ Prince

By Simon Buckland      V10#5 1992

Buju Banton Cover v!0#5 1992Seriously troubling all the more established Dancehall DJs this year is Buju Banton, a young man with stylish but homely aspirations. Ghetto-born Mark “Buju Banton” Myrie, at only 19, has, in the space of just five months, risen from interesting but run-of-the-mill Kingston DJ to front runner in the ‘92 Superstar Stakes.

True, he doesn’t have anything like the striking bone structure of the man he’s compared to – Shabba Ranks (whom I shan’t even mention ‘cause the two are, according to Buju, ‘two different kekkle of fish’) – but his reassuringly gruff warmth is usually a little less (How shall we say it?) raw! Continue reading

Reggae Dancehall History: DJ Super Cat Interview 1992

Super Cat: The Ghetto & Glory

By Brian E. Rochlin.     V10#2 1992

Dancehall DJ Super Cat
DJ Super Cat lands a Columbia Records deal in the early-90s

In Kingston, Jamaica, neighborhoods start and end within blocks, and living on them is a whole other type of education. Instead of a classroom within a single building, the classroom of the streets teaches its students to know which buildings are which. Knowing where you stand geographically can be as important as where you stand politically. The two are often related.

Each neighborhood has its own members of distinction, be they artists, politicians, musicians, or stalking DJs breaking into the international music scene. Seivwright Gardens, one of the toughest sections of the city, is noted for the many DJs that have broken away from it: U Roy, Ninja Man, Josie Wales, and Super Cat, the latest of the Gardens alumni to have graduated with honors. Continue reading