Jamaica is well represented in the recently announced slate of NAACP Image Awards nominees. Dancehall legendBuju Banton and last year’s Grammy Award winner Koffee have both secured two nominations each for the Awards, while Reggae singer Skip Marley has earned one nod from the US-based civil rights organization.
In the Outstanding International Song category, Buju Banton has earned one nod for Blessed which appears on his Upside Down 2020 album. His second nomination in the same category was received for the Pressure (Remix) with Koffee, who also secured her second nod with the hit song Lockdown. Nigerian singers Davido and Tiwa Savage were also nominated in the category.
Meanwhile, Skip Marley‘s Higher Place from his EP of the same name earned him one nomination in the Outstanding New Artist category alongside Chika, Doja Cat, D Smoke, and Giveon. Marley wrote on Twitter yesterday that he was honored to be included among this group of nominees.
The 52nd annual ceremony will be simulcast on March 27 at 8 p.m. ET across Viacom CBS Networks.
~From Dancehallmag.com. Clickhere for more details.
Seriously troubling all the more established Dancehall DJs this year is Buju Banton, a young man with stylish but homely aspirations. Ghetto-born Mark “Buju Banton” Myrie, at only 19, has, in the space of just five months, risen from interesting but run-of-the-mill Kingston DJ to front runner in the ‘92 Superstar Stakes.
True, he doesn’t have anything like the striking bone structure of the man he’s compared to – Shabba Ranks (whom I shan’t even mention ‘cause the two are, according to Buju, ‘two different kekkle of fish’) – but his reassuringly gruff warmth is usually a little less (How shall we say it?) raw! Continue reading →
Buju Banton cries out for divine help in “God of my Salvation”; Capleton gives assurance that the Emperor still sits on the throne with the constant reminder that “Selassie liveth every time,” while Garnet Silk’s equally prolific shouts of “Jah Rastafari” have given the proclamation Bob Marley made internationally famous new flavor.
Such are the lyrics of cultural change that have been blaring through the speakers of Jamaica’s dance halls in recent times, replacing the gun and ribald lyrics of the DJs that dominated for the greater part of a decade. The cultural rebirth in the dance halls has also sparked a second coming of the Rastafari religion that traces its roots back to the late 1950s and which gained worldwide prominence in the 1970s with the international emergence of the dreadlocked Marley.
Buju’s newfound faith has been wholly accepted by the youth with whom he can do no wrong. The same can be said of fellow DJ Capleton and charismatic singer Silk, one of the forerunners of the revival. Their impact is there for all to see. It’s in vogue to wear locks again. It’s even cool to openly acknowledge Jah without fear of being ridiculed. It’s Jamaica 1995 and it’s hip to be Rasta. Whether a “God of my Salvation” will hold relevance as a “Roof Over my Head” 10 years from now is left to be seen. That could all depend on whether Buju and Capleton decide to forsake their still growing locks and Rasta rhetoric for the latest “talk,” or look, in the coming months. Continue reading →