Tag Archives: dancehall

Lady G – Interview with the DJ V12#09 1994

Lady G – Don’t Call Her Gal  1994

Interviewed by M. Peggy Quattro
Written by Sara Gurgen

The talented ladies in Reggae have historically taken a back seat to the popularity of their numerous male counterparts. A handful of singers, and even fewer DJs, have held their ground and withstood the test of time.

Not to be outdone by the current crop of new lady DJs, the lovely and talented Lady G has consistently proved that she is not yet ready to be considered among the “dead and gone.” The sweet appearance of Lady G does not belie her steely interior, and the Spanish Town-born DJ has taken her shot at macho males with her latest sizzling releases. Lady G, who has seen a great response to her hit song “Me or the Gun,” a demand that her man chooses between which one “gives more fun,” is now coming in strong with her latest song “If I was a Gal.”

Lady G
Lady G Live at Reggae Cafe

“You’ve got guys who call women gals; that’s not the right way for a man to style [call] a woman,” said Lady G following her terrific performance inside Ft. Lauderdale’s Reggae Cafe. Referring to her new song, she goes on to explain: “It’s not the name they should call the women. In some countries–like Trinidad–they call their women gal. It’s not the name that they call the women, it’s the way they express it.” Lady G is telling the men that if they want to get a woman’s attention, these days, that’s not the way to do it. Continue reading

Half Pint: A Rising Reggae Star  V7#2 1989

Half Pint: A Rising Star

Introduced in V7#2 1989

Born on 11 November 1961, his mother called him London Andrew Roberts. Growing up, however, he was given the name Half Pint by a neighbor in his childhood community [of] Waterhouse in Kingston 11.

Half Pint’s career as a singer/songwriter began to take shape in 1983 when his smash hit single “Winsome” topped the charts in Jamaica. The next couple of years were to be the foundation years for Half Pint. During this time three albums were released – Moneyman Skank, Half Pint in Fine Style, and One in a Million [that] included hit singles like “Political Fiction,” “Mr. Landlord,” “Moneyman Skank,” and “Sally.” Continue reading

INNER CIRCLE GRAMMY NOD V13#2 1995

2019 UPDATE: Congratulations to brothers Ian and Roger Lewis, co-founders of the Grammy-winning band Inner Circle, on receiving Jamaica’s Order of Distinction (the government’s sixth-highest civic honor) at a King’s House ceremony on October 21, 2019, in Kingston. Honored for Inner Circle’s more than 50-year musical contributions, their iconic lead singer Jacob Miller was also recognized and awarded, and his son Taki Miller accepted posthumously on his behalf.

Here is a Reggae Report interview and story by writer and editor Sara Gurgen after catching up with bandleader Roger Lewis following Inner Circle’s 1994 Grammy nomination for Best Reggae Album (they won that Grammy in 1993!)

INNER CIRCLE – Miami’s “Bad Boys” Nominated for ’94 Grammy

by Sara Gurgen

They won the Grammy for best 1993 Reggae album, and now Inner Circle–Miami’s world-famous, hard-working “Bad Boys” of Reggae–have been nominated for the 1994 Grammy with their latest Big Beat/Atlantic release, Reggae Dancer.

“It’s doing excellent, man, everywhere in the world; and when I mean excellent, I mean excellent,” said band leader and rhythm guitarist, Roger Lewis, in a recent Miami interview during a brief respite from Inner Circle’s hectic touring schedule.

“It is one of the biggest selling foreign albums in Japan. Over 300,000 albums [have sold] in Japan [as of Dec. 21]. Hundreds of thousands in Mexico. In Brazil, in Europe–very well. In America, it’s not doing too bad. I think we made it up to about 200,000 copies.”

One of the songs on the album that has been released worldwide and doing very well is “Games People Play.” “It was not really a success in America, but ‘Games People Play’ was literally a hit single everywhere else in the world,” explained Roger. “It was a top 10 song in about 10 countries in Europe. It didn’t really go No. 1 and do what “Sweat” did, but it was top 10 in Holland, in Germany, in Scandinavia, in Brazil; and it was No. 1 in Japan.” Continue reading

Reggae Trilogy Vol. 1: 200+ 80s & 90s Artist Headshots

Reggae Report Publisher Releases Vol. 1 of Reggae Trilogy: 200+ 80s & 90s Reggae & Dancehall Artist Headshots
The First eBook from the Reggae Report Archives is an Essential Timeline Depicting the Fashion, Culture & Lifestyle of this Dynamic Era

Publisher M. Peggy Quattro releases the first compilation of Reggae history from the Reggae Report Archives. Reggae Trilogy Vol. 1: 200+ 80s & 90 Artist Headshots is an entertaining, engaging time capsule that features 13 chapters of Reggae and Dancehall Headshots. Each collection begins with a personal and enlightening introduction by the Reggae pioneer. More than 200 promo Headshots depict the distinctive fashion, culture, and lifestyle that catapulted Reggae artists onto the 80s and 90s world stage.

Thousands of promotional Headshots poured into Reggae Report for more than 20 years. As a fan and archivist, Ms. Quattro knew one day these photos would tell their own story. This wealth of photos will be delivered in three volumes of the Reggae Trilogy series. Crucial chapters include the Bands, Legends, Women, Singers, Groups, Dub Poets, Dancehall, Musicians, USA Reggae, International, Industry Pros, The Marleys, and Where Are They Now?. Continue reading

Capleton – The Prophet “Pon Tour” V13#1 1995

CAPLETON  – THE PROPHET ‘PON “TOUR”

by Patricia Meschino    V13#1 1995

The imposing stage at Jamworld, St. Catherine, Jamaica, the largest open-air entertainment center in the Caribbean and occasional home of Sting and former home of Reggae Sunsplash, is a challenge for any musical artist. When an entertainer fails to meet audience expectations there, the repercussions are greatly magnified; but when an artist delivers spectacularly, the effects seem to reverberate all the way to the island’s north coast!

While Sunsplash ’94 was, as a whole, not as successful as previous years, the five-day event nonetheless produced some unforgettable musical moments that are still being talked about. On Dancehall Night, the performance most “Splashers” are still raving about came from Capleton.

V13#1 1995

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Musical Forecast: Look for Snow V13#3 1995

by Patricia Meschino

EPSON scanner image
SNOW – 1996 Reggae Report Calendar – October

One of the most satisfying cuts on Canadian DJ Snow’s new release, Murder Love, is a tale of his love affair with Reggae music called “Dream.” Here Snow reminisces about his days in Toronto’s Allenbury housing project, where he first became acquainted with Reggae through the friendships formed with the many Jamaicans who had moved into his area: Listen Shabba Ranks playing faintly from the speaker/I would eat mi curry chicken, that’s my favorite supper/If you think mi joke or lie, gwaan ask me mother/I would living on the island sweet, sweet Jamaica/Fish with Coco Tea down in the river/Hanging at the ghetto with me boy they call Ninja/No, but it’s only a dream. Continue reading

1995 & IT’S HIP TO BE RASTA Buju Banton, Capleton, Dermot Hussey, Cat Coore

It’s 1995 in Jamaica and It’s Hip to be Rasta

By Howard Campbell    V13#1 1995

Buju Banton cries out for divine help in “God of my Salvation”; Capleton gives assurance that the Emperor still sits on the throne with the constant reminder that “Selassie liveth every time,” while Garnet Silk’s equally prolific shouts of “Jah Rastafari” have given the proclamation Bob Marley made internationally famous new flavor.

buju banton, rasta got soul, reggae, dancehall, reggae report
Buju Banton’s Rasta Got Soul LP

Such are the lyrics of cultural change that have been blaring through the speakers of Jamaica’s dance halls in recent times, replacing the gun and ribald lyrics of the DJs that dominated for the greater part of a decade. The cultural rebirth in the dance halls has also sparked a second coming of the Rastafari religion that traces its roots back to the late 1950s and which gained worldwide prominence in the 1970s with the international emergence of the dreadlocked Marley.

Buju’s newfound faith has been wholly accepted by the youth with whom he can do no wrong. The same can be said of fellow DJ Capleton and charismatic singer Silk, one of the forerunners of the revival. Their impact is there for all to see. It’s in vogue to wear locks again. It’s even cool to openly acknowledge Jah without fear of being ridiculed. It’s Jamaica 1995 and it’s hip to be Rasta. Whether a “God of my Salvation” will hold relevance as a “Roof Over my Head” 10 years from now is left to be seen. That could all depend on whether Buju and Capleton decide to forsake their still growing locks and Rasta rhetoric for the latest “talk,” or look, in the coming months. Continue reading