Tag Archives: reggae

Garnet Silk at home in Kingston

Garnet Silk – An Interview at his Kingston Home 1994 

This interview was held early January 1994, at Garnet’s Kingston home. The visit was as warm and memorable as the 28-year-old singer himself. Tragically, by year’s end, Garnet perished in a fire alongside his mother at his childhood home. I cherish my time spent with this humble, delightful, kind human being who possessed childlike joy and a smile that touched everyone he met. Rest in power, dear soul…your music, message and memory live on.   ~M. Peggy Quattro

Garnet Silk – A Son of Ethiopia

By M. Peggy Quattro      V12#2 1994
Words in double brackets [[ ]] signify updated 2020 material ~MPQ

Garnet Silk at Home, Kingston 1994The highly anticipated return of Garnet Silk to the performing stage was purposefully planned to coincide with the birthday celebration of his good friend, DJ Tony Rebel. On January 15, 1994, Rebel Salute was staged in the cool and lovely city of Mandeville, situated in their home parish of Manchester, Jamaica.

In July 1993, following his doctor’s orders, the popular singer/songwriter took a needed hiatus from his rigorous performing and recording schedule. The reason given: exhaustion. [more later in this interview]

Garnet Silk exploded on the Jamaican music scene in 1991 and soon became the most in-demand performer on the island. A steady stream of shows and performances, tours and recordings throughout ‘92 and most of ‘93 took its toll on the performer. To begin the new year, and a new era in his dazzling career, Garnet Silk appears rested and ready to resume his appointed rule as musical message giver.

Garnet Silk
Garnet with photo of HIM Haile Selassie, his inspiration for life

Every song released by Silk in the last two years has attracted rave reviews and considerable airplay in Jamaica and abroad. His unique vocal styling and charismatic presentations have him marked by music industry personnel and fans alike as the “next Bob Marley.”

I recently had the pleasure of visiting and interviewing the serious yet mild-mannered Silk during rehearsals and preparation for his triumphant comeback performance at Rebel Salute. This interview is part of the comeback. Continue reading

Lady G – Interview with the DJ V12#09 1994

Lady G – Don’t Call Her Gal  1994

Interviewed by M. Peggy Quattro
Written by Sara Gurgen

The talented ladies in Reggae have historically taken a back seat to the popularity of their numerous male counterparts. A handful of singers, and even fewer DJs, have held their ground and withstood the test of time.

Not to be outdone by the current crop of new lady DJs, the lovely and talented Lady G has consistently proved that she is not yet ready to be considered among the “dead and gone.” The sweet appearance of Lady G does not belie her steely interior, and the Spanish Town-born DJ has taken her shot at macho males with her latest sizzling releases. Lady G, who has seen a great response to her hit song “Me or the Gun,” a demand that her man chooses between which one “gives more fun,” is now coming in strong with her latest song “If I was a Gal.”

Lady G
Lady G Live at Reggae Cafe

“You’ve got guys who call women gals; that’s not the right way for a man to style [call] a woman,” said Lady G following her terrific performance inside Ft. Lauderdale’s Reggae Cafe. Referring to her new song, she goes on to explain: “It’s not the name they should call the women. In some countries–like Trinidad–they call their women gal. It’s not the name that they call the women, it’s the way they express it.” Lady G is telling the men that if they want to get a woman’s attention, these days, that’s not the way to do it. Continue reading

Judy Mowatt – Singer on Sisterhood V14#5 1996

Judy Mowatt – Leading the Charge of Sisterhood   1996

By Howard Campbell.       V14#5 

judy mowattA visitor to Judy Mowatt’s home is in for a fairly long walk before he or she reaches the spacious front porch which houses a piano. Mowatt’s not pounding the keys today; she’s enjoying some peace and quiet at the back of the home near the hills of St. Andrew, Jamaica, not too far away from where she was born in the small village of Gordon Town.

An admitted lover of the soil, Mowatt’s cozy back room hideaway is surrounded by a small farm of sugarcane and bananas. Gospel music wafts through the air as she appears, barefoot and bareheaded, her locks complimenting her African-style blouse. A photo of Emperor Haile Selassie greets you upon entering, with another postcard-sized photo of the Wailers, circa the Uprising album, occupying one of the shelves of a nearby cabinet.

judy mowatt calendar 1994
Judy Mowatt graced August in our 1994 Calendar

Continue reading

Nadine Sutherland Live Show 2008

Nadine Sutherland Brings the Vibes to Vibes Nightclub

July 3, 2008 – Decatur, GA – She was witty, energetic, sexy, inspiring, professional, warm, charming and extremely entertaining as this true princess of Reggae music continued her love affair with what some call the fastest growing Caribbean community outside of the Caribbean, Georgia. Nadine Sutherland came, she entertained and she conquered!

Nadine Sutherland wows Georgia

The Reggae Dancehall star, TV star (Rising Star) and journalist went through her hits like; “Action”, “Babyface”, “I’m In Love (Rainbow)”, “Anything For You”, “Big Tingz” and more. From the moment she stepped on stage at the Vibes Night Club in Decatur Georgia, the air was filled with electricity, and the venue was filled with energy. Sutherland commanded the stage as she bounced and danced all over the stage, never missing a beat, always hitting the right notes and exciting the crowd with her great performance. Continue reading

Puma Jones on Black Uhuru   V4#5 1986

Puma Jones  “It’s Only the Beginning…” 

Interview & Story M. Peggy Quattro
Puma Jones of Black Uhuru
UNITED KINGDOM – JUNE 18: GLASTONBURY FESTIVAL Photo of BLACK UHURU, Puma Jones of Black Uhuru at Glastonbury Festival 18 June 6 1982 (Photo by David Corio/Redferns)

Puma Jones is the American-born female vocalist in the 1984 Grammy Award-winning trio Black Uhuru. One of the first women to break into Reggae’s “Big Time,” Puma proudly acknowledges her position as a forerunner in the recent surge of female recording artists filling international charts today.

Born in Columbia, South Carolina, on October 5, 1953, Puma migrated to New York in the ‘60s, where she grew up listening to Aretha Franklin and Dionne Warwick. Continue reading

Return of Ladies in Reggae 2008

The Return of LADIES IN REGGAE

by Lloyd Stanbury

Millie Small - the 1st Female Reggae Star
Millie Small – the 1st Reggae Star to Sell a Million Records!

January 7, 2008 – Kingston, Jamaica – In the early days of Jamaican popular music, our female singers and songwriters played a major role in propelling our music onto the world stage. In fact, the first major international Jamaican hit recording was by one of Jamaica’s female pioneers, Millie Small, with her 1964 million-selling single “My Boy Lollipop.” Its success opened the doors for such artists as Phyllis Dillon, Marcia Griffiths, Judy Mowatt, Hortense Ellis, Pam Hall, Rita Marley, Carlene Davis, J.C. Lodge, Cynthia Schloss, Lorna Bennett, Dawn Penn, Sheila Hylton, and Nadine Sutherland, all of whom established themselves as mainstream recording and performing artists.

Etana - New Generation of Powerful Female Singers
Etana – New Generation of Powerful Female Singers

For some strange reason, however, the early achievements of our female artists did not result in the kind of follow-through seen by their male counterparts. For many years, we have failed to produce top-class female Reggae recording artists and performers. With the exception of the local and international successes of Diana King, Patra, Sasha, Foxy Brown, and Lady Saw, female Reggae and Dancehall artists have become a very scarce commodity over the last 25 years.

A number of different reasons have been presented for what many view as a problem in the development of our music. Sexual harassment by music producers and the rough, tough and aggressive face of male-dominated Dancehall music are two such explanations. The tendency of many young Jamaican female artists to idolize and follow popular foreign Pop and R&B female stars is another argument given for the seeming disappearance of the Jamaican female Reggae performer. Continue reading

Sonia Pottinger – Reggae’s Female Producer 1991

The Music of Sonia Pottinger–High Note & Gay Feet   V9#3 1991

(2020 Update below)

By Lee O’Neill

producer sonia pottinger
Sonia Pottinger, Reggae’s first female producer

Many consider the mid-to-late sixties the golden age of Jamaican music. As the early Ska beat was changing into what would become Reggae, artists such as Ken Boothe, The Paragons, Alton Ellis, the Techniques, and the Gaylads were making hit after classic hit, and producers like Clement Dodd, Duke Reid, and Clancy Eccles were busy making bundles of money while defining the sound of Reggae music.

One of the most successful of these early producers was Sonia Pottinger, owner of the Gayfeet and High Note labels, possessor of a keen commercial sense and artist’s touch in the studio. Some of Reggae’s greatest songs were released on her label. Until recently, Pottinger’s reputation was in danger of disappearing. New anthologies of Pottinger productions on Heartbeat (Musical Feast) and Trojan (Put on Your Best Dress) join a few scattered tracks on anthologies, reissues of two of the Culture albums she produced, and some out-of-print Jamaican LPs, in a growing tribute to her talent Continue reading