Category Archives: Editorial

3 Ways Reggae Music Will Calm Your World

By M. Peggy Quattro
Reggae Report Magazine, Founder/Publisher

reggae flag on beachThere’s no doubt today’s world is a tumultuous place. We are faced with far too many “isms and schisms”: racism, capitalism, socialism, fascism, communism, authoritarianism, totalitarianism. For the past 50+ years, there’s been one constant that has helped humankind deal with the noise and commotion — the peaceful inner protest encapsulated in Reggae’s one-drop rhythm. Being well established in the Reggae movement for more than 35 years, I am sharing with you three ways I believe Reggae music delivers its message to a world of like-minded souls.


1) Reggae is often associated with ganja (aka marijuana/grass/weed/herb) and the ensuing euphoria this combination creates. However, by using the music’s heartbeat “riddim” wisely, Reggae captures our inner core. We instinctively dance and sing, even when we don’t understand all the Jamaican words, but ultimately it’s the music’s message that brings humanity together in harmony. We must thank the much-maligned and persistent Rastafari for educating the outside world on ganja’s health and spiritual benefits. Their peaceful and simple way of life is also rooted in political and socio-economic issues; their influence on Reggae’s growth, evolution, and contribution to Reggae history is undeniable. Continue reading

MPQ’s Letter to JA Editors – June 2008

Greetings!  I sent this letter, twice actually, to the editors and writers of the Jamaica Gleaner and Observer after reading Prime Minister Golding’s official statement declaring that ‘it is time for a comprehensive reggae marketing plan.’ I enthusiastically replied as a member of the reggae community, a fan, and a concerned world citizen. Since they didn’t publish it, and in order to share these thoughts and suggestions with the global community, here is my letter. If you would like to respond or comment, please write me.

Dear Editor:
As a 27-year Reggae industry veteran, I was ecstatic to read Prime Minister Golding’s acknowledgement that it is “time for a comprehensive marketing plan for Reggae music.” In recognizing Reggae’s importance on a level equal to tourism, I commend his initiative to create a strategy that will not only positively promote Reggae, but also address the negativity that has pervaded the world stage. The prime minister’s official May 26 release appeared on websites in the USA, France, Czechoslovakia, Japan, and Thailand, attesting to Jamaica and Reggae’s international interest. Nearly 40 years old, Reggae is recognized as “Jamaica’s greatest musical export,” and the time to protect its hard-earned reputation is now.

From 1996 to 2007, several studies, written locally and abroad, have addressed Reggae, Jamaica, and the importance of global marketing. The link between the two is undeniable; Reggae is part of Jamaica’s image in the tourist market. The plan is already there, studied and presented by scholars, music professionals, politicians, and journalists. Central to the solution is the Internet. The possibilities for e-commerce, digital download, creativity, and wide-ranging national and cultural promotion – when well organized and managed – will create extensive employment opportunities and contribute considerably to Jamaica’s economy.

I commend all foundation Reggae artists and professionals who achieved success and shaped a world sensation before the Internet. Young artists have benefited from this groundwork, and any action on their part to dishonor such achievement must, and will be, addressed. Although abundant, “talent alone is not sufficient to build a competitive music industry.” Effective business organization requires entrepreneurs, intellectual property protection, access to financing, education, training, new technology, and the expertise of the private and public sectors.

Today, negativity surrounding Dancehall artists who endorse homosexual violence or degrade women has marked a decline in creative talent. The positive message of 70s and 80s Reggae is being overshadowed by the recent era of negative lyrics. Citing Bible passages as the reason for this rhetoric is narrow-minded and selective. Unfortunately, this phenom has left Jamaica, where fans may enjoy or encourage such talk, and travelled abroad where large numbers of fans – gay or not – find the content offensive. Dancehall artists who endorse or participate in ‘gay bashing’ are bringing great global harm to Reggae’s reputation and 40-year history. How will it stop? Education. Opportunity. Cooperation. Action. Addressing this problem is the beginning of a solution. Get up, stand up. To plan for Reggae’s future, we must first believe in Reggae’s future.

M. Peggy Quattro & Reggae Report Publisher
Miami, Florida
June 5, 2008

Artists Willing to Change Lyrics

In Response to Buju Banton’s call for unity:

Artistes Willing to Change Lyrics

By Teino Evans, Entertainment Coordinator, The Star Online

May 15, 2008 – Kingston, Jamaica – Following Buju Banton’s call for other artistes to clean up their music, some have answered the challenge and are in agreement that some change in lyrics need to take place. Buju issued an appeal to his fellow entertainers to clean up their lyrics in order to help Jamaica to recover from its present social decay.

The deejay, who posted a message in his newsletter, The Gargamel Gleaner, said, “We are suffering a social decay yet not one, not a single one of our entertainers, has seen the need for a change in the lyrical content they are selling.”

However, that estimation may not be entirely accurate. Veteran dancehall artiste, Lady Saw, although admitting to performing “raw songs” in the past, told The STAR, “I’m down with cleaning up the music.” Saw said that this must to something that every artiste is willing to do if it is going to have any effect on the tone of the music. Continue reading

Buju Banton Speaks Out 2008

A Few Words From Gargamel Himself – Buju Banton Speaks Out…

May 12, 2008 – Kingston, Jamaica
Greetings, good people of the earth! I would like to take this opportunity to thank you for all the love and support over the years and for your continued support in the future.

By now most have already heard about the separation between myself and Penthouse Music Group. Let me assure you that it was one of mutual understanding, and that I sincerely wish Mr. Donovan Germain all the best. With much respect, I say to Mr. Germain, thank you for the many years of service and for the eye-opening experience.

To the haters, hate on. To the well-wishers, we will be victorious because JAH LIVE. As for me personally, I am fine. Glad I now have the medium to communicate to my fans and friends all over the world. Continue reading

Has Reggae Lost its Value?

Has Reggae Lost its Value?

By Maria Jackson

March 21, 2008 – Is Reggae music the only genre that releases hundreds of singles on a daily basis? I honestly do not know. However, what I do know is that the way we handle our business in the Reggae industry is affecting its monetary value.

Jamaica releases approximately 600 new songs daily. There are literally hundreds of producers spread out across the island. Some are your well-established heavyweights, while others are simply working with a drum machine at home. Whatever their situation, these producers drum up music by the minute. And, in an effort to be the next big thing or to maintain current momentum, they basically give away their music, all in the name of promotion. Continue reading

MPQ Response to Solidarity Editorial 2008

In Response to the editorial “Solidarity is What We Need”

by M. Peggy Quattro
February 14, 2008

Greetings! In response to this editorial above, which was a bulletin posted on MySpace by Lloyd Stanbury, I hereby agree with several points he adeptly brings to our attention. The image of Jamaica as a corrupt and violent society is constantly being presented to the world. Every country has degrees of these elements, but the Land of Reggae, the Land of Wood and Water, the Land of One Love, has taken a turn for the worse.

Since the beginning of Dancehall in the late ‘80s, when lyrics were degrading women and praising the gun culture, the seeds of destruction were sown. Playing our part in the media, Reggae Report chose not to support or encourage this new type of performance. No where near the quality of Dennis Brown’s “Love Has Found its Way” or the driving call to “Get Up! Stand Up!,” early Dancehall artists brought in such sleaze as “Wicked Inna Bed,” calling for “Bam Bam…Lick a shot on mama-man’s head.” The media helped make performers, such as Shabba Ranks, a so-called star. What followed was an audience trained to think this was the new direction of Reggae music.

Bob Marley said it best: “You have to be careful of the type of song, and the type of vibration that you give to the people…because ‘Woe be unto they who lead my people astray.’” Continue reading


Solidarity is What We Need

by Lloyd Stanbury
February 14, 2008

The Jamaican music industry, and by extension the wider Jamaican society, have been moving in a direction to destroy themselves, as evidenced by the increased lack of respect, love and harmony being displayed between our brothers and sisters. We should all hang our heads in shame when we consider that Jamaica has created so much poverty and hate among its people despite being a country and people blessed with an abundance of human and natural gifts.

It is indeed amazing that despite the worldwide demand for the talents of our musicians, sportsmen and sportswomen, the attraction of our beautiful island, our wonderful food and trend-setting fashion, we still remain a poor and under-developed country. Maybe if we were to stop fighting each other and against each other we would be much better off as a nation and together reap the benefits of our very valuable natural and human resources.

The tendency of some of our artists and music producers to revel in tribalism, war and disrespect of each other, combined with the promotion of disunity, does not help our situation at all. It is full time for us to take a stand against music and musicians who constantly promote disrespect, violence and tribalism among our people. It is also time for persons involved in the music industry to do their part in building a better Jamaica by working closer together rather than against each other. We should not continue to be the silent majority while our people suffer and our beautiful country is washed down the drain.

Reggae music has helped to liberate and build confidence in millions of people around the globe, yet at home some now try to use it to do the opposite to our own people. Music supporters, as well as the makers and performers of music, all have a role to play in reversing this very negative trend. I am not for a moment trying to give the impression that only the music makers and their fans have to make a contribution to rebuilding and reclaiming Jamaica. I am however urging those of us in the music industry to do our part. Music is the food of life.

“Look at me, I ain’t your enemy
We walk on common ground
Don’t try to fight your brother
What we need – SOLIDARITY”

These are words from “Solidarity,” a song from Anthem, the first GRAMMY-winning Reggae album by Black Uhuru in 1985.

One Love.