Tag Archives: reggae legends

Garnet Silk Legacy Discussed with Rebel, Garrick & Semaj

Garnet Silk Returns to Zion

by Howard Campbell      V13#2 1995

Garnet at home, 1/13/94

Before we proceed, let’s get one thing straight, Garnet Silk was no Bob Marley. He didn’t profess to be Bob Marley, nor did he want to be. Despite the obvious similarities in religion and profession, the two possessed entirely different personalities.

The inevitable comparisons that have been made since Garnet burst onto the scene three years ago have been further fueled since his death a few months ago. Such a flattering likeness is evidence of the social impact the 28-year-old singer made in such a short period. In fact, he created a spark more famous names, like Ziggy Marley, failed to ignite among the masses.

That was probably the most glaring similarity between Bob Marley and Garnet Silk, the fact that they were both hero-worshipped by Jamaica’s lower class and, through their music, transformed the status quo of a country obsessed with social standing. Continue reading

Return of Ladies in Reggae 2008

The Return of LADIES IN REGGAE

by Lloyd Stanbury

Millie Small - the 1st Female Reggae Star
Millie Small – the 1st Reggae Star to Sell a Million Records!

January 7, 2008 – Kingston, Jamaica – In the early days of Jamaican popular music, our female singers and songwriters played a major role in propelling our music onto the world stage. In fact, the first major international Jamaican hit recording was by one of Jamaica’s female pioneers, Millie Small, with her 1964 million-selling single “My Boy Lollipop.” Its success opened the doors for such artists as Phyllis Dillon, Marcia Griffiths, Judy Mowatt, Hortense Ellis, Pam Hall, Rita Marley, Carlene Davis, J.C. Lodge, Cynthia Schloss, Lorna Bennett, Dawn Penn, Sheila Hylton, and Nadine Sutherland, all of whom established themselves as mainstream recording and performing artists.

Etana - New Generation of Powerful Female Singers
Etana – New Generation of Powerful Female Singers

For some strange reason, however, the early achievements of our female artists did not result in the kind of follow-through seen by their male counterparts. For many years, we have failed to produce top-class female Reggae recording artists and performers. With the exception of the local and international successes of Diana King, Patra, Sasha, Foxy Brown, and Lady Saw, female Reggae and Dancehall artists have become a very scarce commodity over the last 25 years.

A number of different reasons have been presented for what many view as a problem in the development of our music. Sexual harassment by music producers and the rough, tough and aggressive face of male-dominated Dancehall music are two such explanations. The tendency of many young Jamaican female artists to idolize and follow popular foreign Pop and R&B female stars is another argument given for the seeming disappearance of the Jamaican female Reggae performer. Continue reading

Damian Marley & Third World Share Video From Grammy-Nominated Album

By Pat Meschino (Billboard, Dec. 4, 2019)

When asked to recall the first time he heard Third World’s music, Damian “Junior Gong” Marley, who has known many of the legendary band’s members since he was a baby, briefly paused before responding. “It’s hard to say the exact moment because I was so young,” Damian said, “but it must have been at Cat’s house (Third World guitarist/cellist/vocalist Stephen “Cat” Coore, the father of Shiah Coore, Damian’s lifelong friend and bassist in his band). I remember Cat would come home from the studio where he was working on an album and play the music, I remember seeing album covers, the plaques the band had received. Really, Third World’s music has had a presence throughout my whole life.”

For several years, Damian had wanted to produce an album for the band with the intent of introducing their music to a younger demographic. However, with their respective hectic schedules, finding a mutually convenient time frame to write and record proved somewhat challenging. But the outstanding result, More Work to Be Done (out on the Marley family’s Ghetto Youths International imprint), was well worth the wait. “Third World had many songs they were working on; because they are top-notch musicians, they were all good songs, but those songs wouldn’t have accomplished my goal of moving them into this new generation of music,” Damian, a four-time Grammy winner, told Billboard on the phone from his Miami studio. “We had discussions about re-approaching some of the songs, even the songwriting, so we almost started the album from scratch halfway through working on it. We had songwriting sessions together, came up with ideas and developed what was most attractive to us. That’s what you are hearing on the album.”

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Third World & Damian Marley New Video for Grammy-nominated Album

New Release: Reggae Trilogy Vol. 1: 200+ 80s & 90s Artist Headshots

Reggae Report Publisher Releases Vol. 1 of Reggae Trilogy: 200+ 80s & 90s Reggae & Dancehall Artist Headshots
The First eBook from the Reggae Report Archives is an Essential Timeline Depicting the Fashion, Culture & Lifestyle of this Dynamic Era

Publisher M. Peggy Quattro releases the first compilation of Reggae history from the Reggae Report Archives. Reggae Trilogy Vol. 1: 200+ 80s & 90 Artist Headshots is an entertaining, engaging time capsule that features 13 chapters of Reggae and Dancehall Headshots. Each collection begins with a personal and enlightening introduction by the Reggae pioneer. More than 200 promo Headshots depict the distinctive fashion, culture, and lifestyle that catapulted Reggae artists onto the 80s and 90s world stage.

Thousands of promotional Headshots poured into Reggae Report for more than 20 years. As a fan and archivist, Ms. Quattro knew one day these photos would tell their own story. This wealth of photos will be delivered in three volumes of the Reggae Trilogy series. Crucial chapters include the Bands, Legends, Women, Singers, Groups, Dub Poets, Dancehall, Musicians, USA Reggae, International, Industry Pros, The Marleys, and Where Are They Now?. Continue reading