In Kingston, Jamaica, neighborhoods start and end within blocks, and living on them is a whole other type of education. Instead of a classroom within a single building, the classroom of the streets teaches its students to know which buildings are which. Knowing where you stand geographically can be as important as where you stand politically. The two are often related.
Each neighborhood has its own members of distinction, be they artists, politicians, musicians, or stalking DJs breaking into the international music scene. Seivwright Gardens, one of the toughest sections of the city, is noted for the many DJs that have broken away from it: U Roy, Ninja Man, Josie Wales, and Super Cat, the latest of the Gardens alumni to have graduated with honors. Continue reading →
Update 2020: Due to Covid, Maxi is currently unable to tour. He is, however, busy on social media staying engaged with his fans and promoting his latest LP, It All Comes Back to Love, and his latest music video “I’m All Right,” featuring and produced by our friend Shaggy! Watch the video at the end of this up close & personal interview ⇓
(This article is from my 2015 interview)
No doubt, Maxi Priestis one of the hardest and longest-working men in the Reggae biz. In town to perform for the ONE Caribbean Fest, and, following an exclusive Meet, Greet, and Eat fan luncheon at Miami’s HOT 105 to promote his Easy to Love CD, the supercharged singer sat down inside the Miramar offices of VP Records for a long-overdue catch-up interview.
Our connection goes way back. Maxi Priest has been featured on no less than five Reggae Report magazine covers, and from 1985 to 1998, he was featured, reviewed, interviewed, or mentioned in innumerable issues. In fact, since storming the music scene from his South London base in 1985, Maxi Priest has not stopped writing, recording, performing, promoting, producing, or rockin’ n’ rollin’, all while circling the globe . Continue reading →
Before we proceed, let’s get one thing straight, Garnet Silk was no Bob Marley. He didn’t profess to be Bob Marley, nor did he want to be. Despite the obvious similarities in religion and profession, the two possessed entirely different personalities.
The inevitable comparisons that have been made since Garnet burst onto the scene three years ago have been further fueled since his death a few months ago. Such a flattering likeness is evidence of the social impact the 28-year-old singer made in such a short period. In fact, he created a spark more famous names, like Ziggy Marley, failed to ignite among the masses.
January 7, 2008 – Kingston, Jamaica – In the early days of Jamaican popular music, our female singers and songwriters played a major role in propelling our music onto the world stage. In fact, the first major international Jamaican hit recording was by one of Jamaica’s female pioneers, Millie Small, with her 1964 million-selling single “My Boy Lollipop.” Its success opened the doors for such artists as Phyllis Dillon, Marcia Griffiths, Judy Mowatt, Hortense Ellis, Pam Hall, Rita Marley, Carlene Davis, J.C. Lodge, Cynthia Schloss, Lorna Bennett, Dawn Penn, Sheila Hylton, and Nadine Sutherland, all of whom established themselves as mainstream recording and performing artists.
For some strange reason, however, the early achievements of our female artists did not result in the kind of follow-through seen by their male counterparts. For many years, we have failed to produce top-class female Reggae recording artists and performers. With the exception of the local and international successes of Diana King, Patra, Sasha, Foxy Brown, and Lady Saw, female Reggae and Dancehall artists have become a very scarce commodity over the last 25 years.
A number of different reasons have been presented for what many view as a problem in the development of our music. Sexual harassment by music producers and the rough, tough and aggressive face of male-dominated Dancehall music are two such explanations. The tendency of many young Jamaican female artists to idolize and follow popular foreign Pop and R&B female stars is another argument given for the seeming disappearance of the Jamaican female Reggae performer. Continue reading →
When asked to recall the first time he heard Third World’s music, Damian “Junior Gong” Marley, who has known many of the legendary band’s members since he was a baby, briefly paused before responding. “It’s hard to say the exact moment because I was so young,” Damian said, “but it must have been at Cat’s house (Third World guitarist/cellist/vocalist Stephen “Cat” Coore, the father of Shiah Coore, Damian’s lifelong friend and bassist in his band). I remember Cat would come home from the studio where he was working on an album and play the music, I remember seeing album covers, the plaques the band had received. Really, Third World’s music has had a presence throughout my whole life.”
For several years, Damian had wanted to produce an album for the band with the intent of introducing their music to a younger demographic. However, with their respective hectic schedules, finding a mutually convenient time frame to write and record proved somewhat challenging. But the outstanding result, More Work to Be Done (out on the Marley family’s Ghetto Youths International imprint), was well worth the wait. “Third World had many songs they were working on; because they are top-notch musicians, they were all good songs, but those songs wouldn’t have accomplished my goal of moving them into this new generation of music,” Damian, a four-time Grammy winner, told Billboard on the phone from his Miami studio. “We had discussions about re-approaching some of the songs, even the songwriting, so we almost started the album from scratch halfway through working on it. We had songwriting sessions together, came up with ideas and developed what was most attractive to us. That’s what you are hearing on the album.”
Reggae Report Publisher Releases Vol. 1 of Reggae Trilogy: 200+ 80s & 90s Reggae & Dancehall Artist Headshots
The First eBook from the Reggae Report Archives is an Essential Timeline Depicting the Fashion, Culture & Lifestyle of this Dynamic Era
Publisher M. Peggy Quattro releases the first compilation of Reggae history from the Reggae Report Archives. Reggae Trilogy Vol. 1: 200+ 80s & 90 Artist Headshots is an entertaining, engaging time capsule that features 13 chapters of Reggae and Dancehall Headshots. Each collection begins with a personal and enlightening introduction by the Reggae pioneer. More than 200 promo Headshots depict the distinctive fashion, culture, and lifestyle that catapulted Reggae artists onto the 80s and 90s world stage.
Thousands of promotional Headshots poured into Reggae Report for more than 20 years. As a fan and archivist, Ms. Quattro knew one day these photos would tell their own story. This wealth of photos will be delivered in three volumes of the Reggae Trilogy series. Crucial chapters include the Bands, Legends, Women, Singers, Groups, Dub Poets, Dancehall, Musicians, USA Reggae, International, Industry Pros, The Marleys, and Where Are They Now?. Continue reading →