The mystery surrounding the violent death of Reggae Superstar PETER TOSH is as complex and mysterious as the man himself. The many reports, stories, assumptions, and speculations leave a shroud of doubt and suspicion in staggering proportions.
What is known to date is that on the evening of Friday, September 11, 1987, three gunmen on motorcycles entered Tosh’s Plymouth Avenue residence in Barbican, Kingston, Jamaica. Apparently known by Tosh, the three were in the house for a short while before the massacre began. What a dark day for Reggae and a sad and shameful day for mankind. One of the killers, Dennis Lobban, turned himself into the Kingston Police only days later, following a warrant issued for his arrest and the involvement of Interpol (the international police force.) Two others are still being detained, their names as yet unannounced.
The first to be fired upon was Marlene Brown, long-time girlfriend and Tosh’s current manager and accountant. Winston “Doc” Brown was shot and killed on the spot, with Peter being shot several times and reportedly beat about the head. He died hours later at the University of the West Indies Hospital. Jeff “Free I” Dixon also received shots to the head resulting in his death days later. Also wounded were Free I‘s wife Joy, Peter’s drummer Carlton “Santa” Davis, and another friend named Michael Robinson. Continue reading →
Sly & Robbie: Reggae Disciples Standing Up For Reggae
Words by M. Peggy Quattro – Aug. 30, 2008 (Listen to the Audio below!)
With careers spanning more than 30 years and hundreds of thousands of recorded tracks, SLY and ROBBIE – aka the Riddim Twins – are still standing up for reggae. Equal partners in the studio or on the stage, these world-renown artists, performers, and producers represent reggae to the fullest. Fueled by, what Robbie calls “God-power,” this ageless duo is having a seriously fun time doing it.
I caught up with Sly and Robbie, long-time friends and colleagues, after their rousing performance with reggae rock dubsters Simply Stoopid, Internet sensations hailing from southern California, and Hawaii’s popular threesome, Pepper. These groups are young, energetic, and tour 250+ days a year. For 10 years, these reggae rockers have bucked the system and achieved phenomenal success by using the Internet as their medium. Starting out by performing for 50, 100, then 500+ faithful fans, both groups now sell their original music online and draw thousands of loyal fans to their wildly entertaining live performances.
With the release of “Mind Control,” the debut chart-topping CD from the second son of Reggae’s original lion, Stephen Marley raises the bar and sets the standard for the future of Reggae music. Not bothered by the inevitable comparisons of looks and sound to his famous father, Stephen is honored by the resemblance and proud to deliver the same message of love, unity, and awareness that made Bob Marley a household name.
Personally, this is one CD I cannot listen to enough. From first hearing the title track, you know that this is going to be a breakthrough album. Each song that follows is a musical journey that permits the listener to become intimate with its creator. Stephen is fearless in displaying his political and social consciousness, as well as exposing a personal vulnerability seldom witnessed in Reggae music. Continue reading →
CAPLETON – THE PROPHET ‘PON “TOUR”
by Patricia Meschino
The imposing stage at Jamworld, St. Catherine, Jamaica, the largest open air entertainment center in the Caribbean and occasional home of Sting and former home of Reggae Sunsplash, is a challenge for any musical artist. When an entertainer fails to meet audience expectations there, the repercussions are greatly magnified; but when an artist delivers spectacularly, the effects seem to reverberate all the way to the island’s north coast!
While Sunsplash ’94 was, as a whole, not as successful as previous years, the five-day event nonetheless produced some unforgettable musical moments that are still being talked about. On Dancehall Night, the performance most “Splashers” are still raving about came from Capleton.
Exclusive Meet & Greet Receptions Expand to 19 Cities with Proceeds Going Toward Ghetto Youths Foundation
Mystic Marley Opens Select Dates in March
On February 25, the eight-time GRAMMY®-winning musician Stephen “Ragga” Marley will kick off an intimate acoustic U.S. tour in support of his latest 5-track EP, One Take: Acoustic Jams, released November 2018 on the Marley family’s Ghetto Youths International imprint. For one month, the 23-city run will span the South, Southwest and West Coast. Continue reading →
February brought the kick-off of Julian Junior Marvin’s “Message of Love” tour 2019. The famed Wailers lead guitarist presented two sold out shows in Philadelphia (Feb. 1) and Washington, DC (Feb. 2). The band of talented musicians and singers were warmly welcomed inside Philly’s Ardmore Music Hall and DC’s Hamilton Live.
Featured on stage with Junior Marvin are Drix Hill and Samuel “Earth” Maxwell on keys, Dino Yeonas on guitar, Stephen Samuels on bass, Ken Joseph on drums, Brother Fitzroy James on percussion, and harmony songbirds Simone Gordon and Hassanah Iroegbu.
Both shows were billed as Bob Marley Birthday Celebrations and the fans and friends who joined in the party were not disappointed. From “Exodus” and “Could You Be Loved” to “Waiting in Vain” and “Three Little Birds” and all the favorites in between, Junior delivered a passionate and personal performance, telling the audience BMW stories and encouraging sing-alongs.
My Response to “Where Have All the Music Magazines Gone?”
Aaron Gilbreath| Longreads | Dec. 2018
By M. Peggy Quattro
Reggae Report International Magazine began as a one-page newsletter in 1983. However, my interest in, and commitment to, spreading the music and message began years earlier. One day, I promised myself, I would do all that I could to get the word out to a world of fans I knew were there – fans ready for and waiting for Reggae.
Remember, Reggae, as most of the universe knows it today, was born in Jamaica in the late 60s-early 70s, proudly rising on the shoulders of Ska and Rocksteady. 1983 was considered to be in the early stages of this Reggae phenomenon. I knew branching out was going to be a long, hard road to hoe…but hey, let’s get started! Continue reading →