Tag Archives: 90s reggae

Tyrone Downie: No Ordinary Wailer

From Reggae Report, V10 #4 1992

Tyrone Downie is a familiar name and talent to avid followers of Bob Marley and the Wailers. I had always been interested in meeting this renown keyboardist who first played with the Wailers at the ripe “old age” of 13, so I was pleased to hear that he was looking forward to this interview with Reggae Report.

The Ziggy Marley and the Melody Makers tour had just finished and Tyrone was in Miami chilling for a while. As a member of Ziggy’s all-star band, memories of Tyrone’s magical keyboards were once again revisited. For the veteran keyboardist, performing with the son of his good friend and mentor was like a page turning in musical history.

His obvious energy and passion for performing was manifested in a warm, engaging smile and the unmistakable twinkle in his eyes that greeted me when he opened the door. Our meeting place was at the home of a friend, complete with a studio where Tyrone could lodge part of his cumbersome collection of keyboards and other musical “toys.” Surrounded by equipment and a big screen television that was tuned to “Video Jukebox,” Tyrone Downie felt comfortable and in the mood to talk.

Tyrone Downie 1992

I went right to the big questions: What was it like being a member of the Wailers during his impressionable teen years? What was it like working with Bob? These answers and more were revealed throughout our two-hour conversation that was as amusing and informative as it was intuitive and insightful.

When Tyrone Downie “officially became a Wailer” in 1975, he already felt like one because he had done studio work with Bob Marley since 1969. It was during this session time, under the tutelage of Aston “Familyman” Barrett, that Tyrone first realized that he was frightened of these Wailers. “They were real tough guys,” he describes, “they were scary.”

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Bob Marley Interview – After the Boston Show 1980

By Lee O’Neill    *Updated 2020
V11#3 1993

As Bob Marley and the Wailers took their positions on stage for a 1980 Boston concert [at Hynes Auditorium,] they resembled a tribe of Biblical prophets carrying electric guitars. Red, gold, and green spotlights shined on the different members of the band, from the patriarchal percussionist Seeco Patterson to guitarist Al Anderson dressed in military fatigues.

The leader of the tribe walked to the center microphone in complete darkness and slowly began the song “Natural Mystic.” A spotlight finally landed on Bob Marley, whose long dreadlocks suggested a lion’s mane, and the mood for the show was fixed. Whether they knew it or not and whether they liked it or not, the Boston audience was being drawn into a spiritual experience.

Bob Marley with the Commodores, Madison Square Garden, 1980

I had the opportunity to interview Marley several hours after that September 1980 concert. It was to be one of his last. The Wailers [then] traveled to Providence, Rhode Island, for a show at Brown University and went from there to New York. *Following two extraordinary shows at Madison Square Gardens, where the Wailers finally performed before a predominantly African-American audience while outshining the Commodores, Marley collapsed while jogging in Central Park. The extent of his illness became apparent. The Wailers made their final appearance in Pittsburgh a few days later. Continue reading

Garnet Silk – An Interview at his Kingston Home 1994 

This interview was held on January 13, 1994, at Garnet’s Kingston home. The visit was as warm and memorable as the 27-year-old singer himself. Tragically, by year’s end, Garnet perished in a fire alongside his mother at his childhood home. I cherish my time spent with this humble, delightful, kind human being who possessed childlike joy and a smile that touched everyone he met. Rest in power, dear soul…your music, message and memory live on.   ~M. Peggy Quattro

Garnet Silk – A Son of Ethiopia

By M. Peggy Quattro      V12#2 1994
Words in double brackets [[ ]] signify updated 2020 material ~MPQ

Garnet Silk at Home, Kingston 1994The highly anticipated return of Garnet Silk to the performing stage was purposefully planned to coincide with the birthday celebration of his good friend, DJ Tony Rebel. On January 15, 1994, Rebel Salute was staged in the cool and lovely city of Mandeville, situated in their home parish of Manchester, Jamaica.

In July 1993, following his doctor’s orders, the popular singer/songwriter took a needed hiatus from his rigorous performing and recording schedule. The reason given: exhaustion. [more later in this interview]

The Early Days

Garnet Silk exploded on the Jamaican music scene in 1991 and soon became the most in-demand performer on the island. A steady stream of shows and performances, tours and recordings throughout ‘92 and most of ‘93 took its toll on the performer. To begin the new year, and a new era in his dazzling career, Garnet Silk appears rested and ready to resume his appointed rule as musical message giver.

Garnet Silk
Garnet with photo of HIM Haile Selassie, his inspiration for life

Every song released by Silk in the last two years has attracted rave reviews and considerable airplay in Jamaica and abroad. His unique vocal styling and charismatic presentations have him marked by music industry personnel and fans alike as the “next Bob Marley.”

At Garnet’s Kingston Home

I recently had the pleasure of visiting and interviewing the serious yet mild-mannered Silk during rehearsals and preparation for his triumphant comeback performance at Rebel Salute. This interview is part of the comeback. Continue reading

Lucky Dube – South Africa’s Reggae King-1993 Interview

In Tribute – Lucky Philip Dube – Aug. 3 1964 – Oct. 18 2007

This article first appeared in Reggae Report, V11#6 1993

Lucky Dube… A Natural Man

By M. Peggy Quattro

Few individuals are naturally blessed with the predestined qualities of talent, wit, and a confident disposition. One such fortunate recipient is 29-year-old Lucky Dube, the remarkable South African singer/songwriter, who is presently dispensing his own musical blessings around the globe.

Lucky Dube
Lucky Dube Sunsplash 1992 – Photo by Lee Abel

You are among the unlucky if you missed Lucky Dube and his megaband, Slaves, on their recent two-month tour of the USA. The incredible show, which highlights Lucky’s dynamic vocals, capable of soaring three octaves; Zulu dancing from Dube, the sonorous back-up singers and stinging brass section; and infectious authentic African-Reggae rhythms, was presented in 35 cities. The venues ranged from small nightclubs to major summer festivals. Included in the tour was a free show held on a beautiful July day at Brooklyn’s Metro Tech Commons, sponsored by the Brooklyn Academy of Music (BAM.)

The moving response to the group’s performance was indicative of the overall reaction received whenever and wherever this talented troupe of performers set down. At the end of August, the tour moves on to Europe where they will be the opening act in a series of shows for international pop star Peter Gabriel. A two-week break in their hometown of Johannesburg is followed by a concert in Capetown, then off to finish the year in Australia, New Caledonia, Japan, and France.

Considered a superstar in South Africa, Dube, who neither smokes nor drinks, modestly credits his fans for this stardom. Continue reading

Buju Banton: Dancehall’s DJ Prince – 1992 Reggae History

Love Mi Buju: Dancehall’s Ruff ‘n Gruff DJ Prince

By Simon Buckland      V10#5 1992

Buju Banton Cover v!0#5 1992Seriously troubling all the more established Dancehall DJs this year is Buju Banton, a young man with stylish but homely aspirations. Ghetto-born Mark “Buju Banton” Myrie, at only 19, has, in the space of just five months, risen from interesting but run-of-the-mill Kingston DJ to front runner in the ‘92 Superstar Stakes.

True, he doesn’t have anything like the striking bone structure of the man he’s compared to – Shabba Ranks (whom I shan’t even mention ‘cause the two are, according to Buju, ‘two different kekkle of fish’) – but his reassuringly gruff warmth is usually a little less (How shall we say it?) raw! Continue reading

Reggae Dancehall History: DJ Super Cat Interview 1992

Super Cat: The Ghetto & Glory

By Brian E. Rochlin.     V10#2 1992

Dancehall DJ Super Cat
DJ Super Cat lands a Columbia Records deal in the early-90s

In Kingston, Jamaica, neighborhoods start and end within blocks, and living on them is a whole other type of education. Instead of a classroom within a single building, the classroom of the streets teaches its students to know which buildings are which. Knowing where you stand geographically can be as important as where you stand politically. The two are often related.

Each neighborhood has its own members of distinction, be they artists, politicians, musicians, or stalking DJs breaking into the international music scene. Seivwright Gardens, one of the toughest sections of the city, is noted for the many DJs that have broken away from it: U Roy, Ninja Man, Josie Wales, and Super Cat, the latest of the Gardens alumni to have graduated with honors. Continue reading

Reggae History: Andrew Tosh-Son of Peter Tosh-Interview

Update 2020: Like most artists at this time, Andrew Tosh (born Carlos Andrew McIntosh) has had to put all plans for 2020 touring on hold. This interview below was one of his last before he took a 10-year break from recording.

Andrew Tosh Cover V8#7 1990
Andrew Tosh Cover V8#7 1990

He returned with the Message to Jah album in 2000 and recorded four more through 2013, making a total of seven albums released. He received his second Grammy nomination in 2011 for Best Reggae Album for Legacy: An Acoustic Tribute to Peter Tosh produced by himself, Dawn Simpson & veteran producer Handel Tucker. This album featured duets with Ky-mani Marley and Bunny Wailer. Andrew was previously nominated for a Best Reggae Album for 1989’s Make Place for the Youth.

Andrew has performed at several Peter Tosh Tribute shows and festivals around the globe in the 20-teens. In February 2020, he was joined by musicians around the world for an inspiring version of “Mama Africa,” a song made by famous by his legendary father. Andrew was filmed in Trench Town, Kingston, Jamaica, and was joined by musicians and singers in Mali, Congo, South Africa, Brazil, and by his father’s former bassist, Fully Fullwood from his Los Angeles home. To watch this uplifting video from the amazing Playing For Change, click here.←


Make a Place for Andrew Tosh!

By Terri Larsen       V8#7 1990

Andrew Tosh, the eldest son of “Mystic Man” Peter Tosh, has become one of the most exciting youths to enter the 90s. With a musical style that emulates his father, not only in voice but in continually providing the youth of today with a message, Andrew has consistently proven that he not only has the sound of Peter Tosh but [also] an imagination and creativity that is purely his own. Continue reading