Update 2020: Like most artists at this time, Andrew Tosh (born Carlos Andrew McIntosh) has had to put all plans for 2020 touring on hold. This interview below was one of his last before he took a 10-year break from recording.
He returned with the Message to Jah album in 2000 and recorded four more through 2013, making a total of seven albums released. He received his second Grammy nomination in 2011 for Best Reggae Album for Legacy: An Acoustic Tribute to Peter Tosh produced by himself, Dawn Simpson & veteran producer Handel Tucker. This album featured duets with Ky-mani Marley and Bunny Wailer. Andrew was previously nominated for a Best Reggae Album for 1989’s Make Place for the Youth.
Andrew has performed at several Peter Tosh Tribute shows and festivals around the globe in the 20-teens. In February 2020, he was joined by musicians around the world for an inspiring version of “Mama Africa,” a song made by famous by his legendary father. Andrew was filmed in Trench Town, Kingston, Jamaica, and was joined by musicians and singers in Mali, Congo, South Africa, Brazil, and by his father’s former bassist, Fully Fullwood from his Los Angeles home. To watch this uplifting video from the amazing Playing For Change, clickhere.←
Make a Place for Andrew Tosh!
By Terri Larsen V8#7 1990
Andrew Tosh, the eldest son of “Mystic Man” Peter Tosh, has become one of the most exciting youths to enter the 90s. With a musical style that emulates his father, not only in voice but in continually providing the youth of today with a message, Andrew has consistently proven that he not only has the sound of Peter Tosh but [also] an imagination and creativity that is purely his own. Continue reading →
Update 2020: Moses “Beenie Man” Davis is the self-proclaimed King of the Dancehall, but I don’t think you will find too many people to disagree; especially after the Clash seen and heard-around-the-world in May 2020. Beenie and Bounty Killer, his arch-rival from the 90s Dancehall era, joined forces to deliver a Verzuz online sound clash witnessed by more than a half a million fans around the world.
The 46-year-old writer, producer & performer continues to work hard and put out numerous singles, EPS & LPs. Following the Verzuz Clash, Beenie released the single “Do You Want to Be That Guy?,” referring to the police officer who entered the studio during their live-stream. He never misses an opportunity to capitalize on the success and notoriety he’s earned over the past 35 years. What follows here is an interview with the “Maestro” while his star was blazing in the mid-90s Dancehall arena.♥
Beenie Man – The Maestro
By Sara Gurgen V15#1 1997
Maestro, the title of Beenie Man’s recently released album, perfectly describes this premier Jamaican DJ. After all, this proud member of the successful, hard-working Shocking Vibes crew has been wearing the crown of DJ of the Year for two years in a row; a dizzying array of his songs dot Reggae charts worldwide; and he is responsible for setting and/or popularizing numerous trends in Dancehall music. Two of his hits that best illustrate his trademark creativity are “Maestro,” which combines opera-style vocals with a Dancehall beat, and “Nuff Gal,” on which he chats over a finger-snapping, horn-laden Jazz line. Always one to try something new, this innovative music master has even fused good ol’ Rock’n Roll with Dancehall on his new album!
Beenie & Bounty – The Digital Dancehall Clash of the Century!
Kingston, JA – May 23, 2020 – Beenie Man and Bounty Killer, the two Dancehall legends that dominated Reggae’s DJ scene in the ‘90s, live-streamed a lively sound clash battle that was viewed—and engaged with—by virtually a half a million global fans.
The once-feuding competitors stirred up some dance hall memories: 1) remembering the traveling dance hall sound systems of the 50s and 60s when rivals-of-the-time would battle it out with rapid-fire lyrics relating to politics, women, sex, and the socio-economic injustices of the time, and 2) the “sonic dominance” of the traveling 70s, 80s, and 90s mega-sound systems.