3 Ways Reggae Music Will Calm Your World

By M. Peggy Quattro
Reggae Report Magazine, Founder/Publisher

reggae flag on beachThere’s no doubt today’s world is a tumultuous place. We are faced with far too many “isms and schisms”: racism, capitalism, socialism, fascism, communism, authoritarianism, totalitarianism. For the past 50+ years, there’s been one constant that has helped humankind deal with the noise and commotion — the peaceful inner protest encapsulated in Reggae’s one-drop rhythm. Being well established in the Reggae movement for more than 35 years, I am sharing with you three ways I believe Reggae music delivers its message to a world of like-minded souls.

ONE

1) Reggae is often associated with ganja (aka marijuana/grass/weed/herb) and the ensuing euphoria this combination creates. However, by using the music’s heartbeat “riddim” wisely, Reggae captures our inner core. We instinctively dance and sing, even when we don’t understand all the Jamaican words, but ultimately it’s the music’s message that brings humanity together in harmony. We must thank the much-maligned and persistent Rastafari for educating the outside world on ganja’s health and spiritual benefits. Their peaceful and simple way of life is also rooted in political and socio-economic issues; their influence on Reggae’s growth, evolution, and contribution to Reggae history is undeniable. Continue reading

Damian Marley on Family and Recording with Nas 2011

Damian “Junior Gong” Marley Interview  –  Perth, Australia 2011

By Mumma Trees

Ed. Note: In Australia for the 2011 4-day Good Vibrations Fest, Damian Marley, along with his latest collab partner Nas, were featured artists on a stellar festival lineup that included Faithless, Ludacris, Janelle Monae, and Erykah Badu. Prior to the show, Perth radio personality and journalist Mumma Trees caught up with the young Marley in Miami via phone.  Featured photo by Jan Salzman. Watch the Damian & Nas video “Nah Mean” below or on our YouTube channel.  

Early Days & Inspirations
Damian Marley by Lee Abel
Damian Marley * Photo Lee Abel

How did you start, Damian, what made you get up there and do what you do?

Well, I mean I think it goes without saying that I have an obvious influence from my family, you know my father, and of course, my older brothers and sisters are all involved in music. But growing up as a child, I used to go to a lot of concerts in Jamaica and watch some of my personal musical heroes, which would be people like Shabba Ranks and Supercat, who are some of the earlier Dancehall artists. I used to watch them perform and that’s really what got me into wanting to perform myself.

That’s interesting because your brothers are singers, but you have chosen the deejay style.

Yeah. And that’s definitely because of that same influence… like the first music I bought for myself was Dancehall music.

Are there any current Dancehall artists who are doing things that you admire?

Yeah, I mean, lots of them, I am a big fan of music in general, you know wha I mean, so I try my best to keep up-to-date with what’s going on, especially in Jamaica. I mean lots of them, you have Mavado, Gyptian, Tarrus Riley, Wayne Marshall, Vybz Kartel, you have loads of them, and I am a fan of their music.

You mention Vybz Kartel, what’s your opinion of the slackness in Dancehall music coming out in the last few years from artists like him?

I mean, the music I bought as a child was slack also. And I am a big advocate of freedom of speech. You have to be free to say something negative, to be free to say something positive. So I am a big advocate of that. And realistically, you know music is an honest way of making a living. You know, somebody could be out there doing something that isn’t…. Music don’t really hurt nobody. So if Vybz Kartel is making an honest living for himself, you have to respect that.

Damian, Stephen, Julian Marley
Damian, Stephen, & Julian Marley – W. Palm Beach * Photo Lynn Dearing 2010

Were you close with your brothers and sisters growing up?

We were very close growing up. Every vacation, summer holidays, I would always go and spend a few weeks with them, and you know, we were very close from when I was a child.

When you have performed with your brothers, it has been as the “Ghetto Youths Crew,” are you still working together on that?

Well, we still are a team, but performing as the Ghetto Youths Crew, we haven’t done that in many years now. But we still definitely work as a team. We have a whole lot of new young artists we are working with and getting ready to release some projects next year.

Collaboration with Nas

Your latest collaboration with Nas has been a huge worldwide hit. Can you tell me about the album title Distant Relatives?

Nas and Damian Marley
Nas & Damian Marley in Florida *. Photo Alex Broadwell

It’s called Distant Relatives because of different reasons. Nas and myself, being that we are ‘distant relatives,’ Hip-Hop and Reggae as two genres of music being ‘distant relatives.’ Then on a bigger scale now, all of humanity, because the album itself has the concept of Africa intertwined throughout the whole album. We are trying to say that all of humanity comes from the same birthplace, Africa. So, all of us as humanity are ‘distant relatives.’

Speaking of Africa, I have seen videos of you and your brothers performing in Ethiopia. Have you performed in any southern African country? 

I have performed in Ethiopia and Ghana, but those are the only places in Africa I have visited so far. But for sure, my father’s song is the national anthem of Zimbabwe. So, that’s definitely a place I want to go and visit.

You had a couple of big tunes a few years ago produced by Baby G, The Mission and One Loaf of Bread. Are you planning to do any more work with Trevor Baby G?

It’s funny you say that because he is actually here in Miami. We have been doing some work together over the last few weeks. We’re trying to get a few Dancehall tracks together, so actually, I have a few tracks with Baby G being released in the next few weeks.

You are coming to Perth as part of the Good Vibrations festival, a great national festival, what can we expect from your performance here with Nas?

Nas & Damian Marley
Nas & Damian Marley, Pompano Beach, FL *. Photo Alex Broadwell

You can expect the best of both worlds. You can expect a great coming together of two genres of music. We do some of the tracks together that we have on the album, then the both of us give a little bit of our own catalogue of music. You gonna get a nice mix of Hip-Hop and Reggae.

Do you have a message for the Perth people?

Yeah man, tell dem Love and we will be there soon. Respect.

Nas & Damian “Zilla” Marley – “Nah Mean” from 2010’s Distant Relatives LP

Best of the 2000s

 

 

 

 

 

 

 

 

 

Mandela Visits Kingston, July 1991 – Mandela Day

Jamaica Celebrates Mandela with Distinction and Song

By Jennifer Ryan     V9#7 1991

Nelson Mandela greets kingston fans, July 24, 1991
Nelson Mandela & wife Winnie (sitting) greet the Kingston massive

Amandla! The deep-throated roar of the crowd in Kingston’s jam-packed National Stadium reached and rattled the rafters of heaven. As the poignant strains melted into the thunder of myriad voices, Nelson and Winnie Mandela stood straight, tall and proud, fists clenched in the traditional salute to freedom. The Mother and the Father had returned home. The Children wept with joy

For 10 days, newspapers, radio and television had been trumpeting the news to Jamaica’s masses. The Mandela’s were coming! The dream about to be fulfilled. Not since the visit of his Imperial Majesty Emperor Haile Selassie, in 1966, had an event of such momentous import occurred. Unnatural mysticism filled the air since it appeared as though the Mandela’s would actually set foot on Jamaican soil on July 23, the birthday of His Majesty.  [Update: The Mandela’s arrived July 24 and stayed 24 hours] Continue reading

Buju Banton: Dancehall’s DJ Prince – 1992 Reggae History

Love Mi Buju: Dancehall’s Ruff ‘n Gruff DJ Prince

By Simon Buckland      V10#5 1992

Buju Banton Cover v!0#5 1992Seriously troubling all the more established Dancehall DJs this year is Buju Banton, a young man with stylish but homely aspirations. Ghetto-born Mark “Buju Banton” Myrie, at only 19, has, in the space of just five months, risen from interesting but run-of-the-mill Kingston DJ to front runner in the ‘92 Superstar Stakes.

True, he doesn’t have anything like the striking bone structure of the man he’s compared to – Shabba Ranks (whom I shan’t even mention ‘cause the two are, according to Buju, ‘two different kekkle of fish’) – but his reassuringly gruff warmth is usually a little less (How shall we say it?) raw! Continue reading

Reggae Dancehall History: DJ Super Cat Interview 1992

Super Cat: The Ghetto & Glory

By Brian E. Rochlin.     V10#2 1992

Dancehall DJ Super Cat
DJ Super Cat lands a Columbia Records deal in the early-90s

In Kingston, Jamaica, neighborhoods start and end within blocks, and living on them is a whole other type of education. Instead of a classroom within a single building, the classroom of the streets teaches its students to know which buildings are which. Knowing where you stand geographically can be as important as where you stand politically. The two are often related.

Each neighborhood has its own members of distinction, be they artists, politicians, musicians, or stalking DJs breaking into the international music scene. Seivwright Gardens, one of the toughest sections of the city, is noted for the many DJs that have broken away from it: U Roy, Ninja Man, Josie Wales, and Super Cat, the latest of the Gardens alumni to have graduated with honors. Continue reading

Windrush & the History of Reggae in the U.K.

Windrush Generation – Caribbean Migration to the UK from 1948-1970

Remembering the arrival of MV Empire Windrush in Essex on June 22, 1948. Hundreds of workers and their children arrived from Jamaica, Trinidad and Tobago, and other islands in response to the post-war job shortage.

The Windrush arrives in Essex, UK, June 22, 1948 with Caribbean workers

From the BBC:  Click to listen to the documentary British Music’s Caribbean Roots 

“The Windrush generation has made a significant contribution to British black music for many generations – from grime to UK garage, to drum to jungle, to gospel to Lovers Rock, from Roots and Dub to Ska, to Reggae and Calypso. Narrated by Young Warrior, the son of historic dub legend Jah Shaka, we explore the colourful roots of how British black music has entered the UK mainstream and how it is now embedded across many music genres.

With first-hand accounts from record producer, Dennis Bovell, DJ, David Rodigan, singer Marla Brown (daughter of the late great Crown Prince of Reggae, Dennis Emanuel Brown) and musician and son of Bob Marley, Julian Marley, we explore how Calypso and West Indian culture made huge inroads into the UK mainstream in the 1950s and signified the birth of British black music.

We look at the 1960s which saw Chris Blackwell, founder of Islands Records, bring Millie Small to Britain with My Boy Lollipop and the birth of Trojan records with the release of “Do the Reggay” by The Maytals in 1968, which was the first popular song to use the word ‘reggae’ and defined the developing genre by giving it its name. We also explore the music of the 1970s which saw the first major influx of British reggae with bands such as Aswad and Matumbi and hear about how Jamaican music began to influence British pop music with the rise of bands, such as The Specials and Madness.”

Read the BBC’s June 22, 2020, Windrush Generation overview here.

Reggae History: Andrew Tosh-Son of Peter Tosh-Interview

Update 2020: Like most artists at this time, Andrew Tosh (born Carlos Andrew McIntosh) has had to put all plans for 2020 touring on hold. This interview below was one of his last before he took a 10-year break from recording.

Andrew Tosh Cover V8#7 1990
Andrew Tosh Cover V8#7 1990

He returned with the Message to Jah album in 2000 and recorded four more through 2013, making a total of seven albums released. He received his second Grammy nomination in 2011 for Best Reggae Album for Legacy: An Acoustic Tribute to Peter Tosh produced by himself, Dawn Simpson & veteran producer Handel Tucker. This album featured duets with Ky-mani Marley and Bunny Wailer. Andrew was previously nominated for a Best Reggae Album for 1989’s Make Place for the Youth.

Andrew has performed at several Peter Tosh Tribute shows and festivals around the globe in the 20-teens. In February 2020, he was joined by musicians around the world for an inspiring version of “Mama Africa,” a song made by famous by his legendary father. Andrew was filmed in Trench Town, Kingston, Jamaica, and was joined by musicians and singers in Mali, Congo, South Africa, Brazil, and by his father’s former bassist, Fully Fullwood from his Los Angeles home. To watch this uplifting video from the amazing Playing For Change, click here.←


Make a Place for Andrew Tosh!

By Terri Larsen       V8#7 1990

Andrew Tosh, the eldest son of “Mystic Man” Peter Tosh, has become one of the most exciting youths to enter the 90s. With a musical style that emulates his father, not only in voice but in continually providing the youth of today with a message, Andrew has consistently proven that he not only has the sound of Peter Tosh but [also] an imagination and creativity that is purely his own. Continue reading

Reggae History…'80s & '90s…Read the Music!