Tag Archives: reggae history

Singer Jimmy Cliff Interview 1986 – Reggae History

Jimmy Cliff…. Just Playing His Part

By M. Peggy Quattro   V4#2 1986

Jimmy Cliff
Jimmy Cliff at his New Kingston home * © M Peggy Quattro 1986

Prelude 2020:  Jimmy Cliff plays an important part in my evolutionary journey inside  Reggae and Reggae Report.  He was the first Reggae artist I ever heard in 1976 and became my first Reggae friend while working with Don Taylor in 1981. When the magazine took off in ’83, Jimmy most kindly invited me to stay at his home whenever I went to Kingston to conduct business. He wasn’t there most of those times but my hospitable friend Shiela and their young sons, Sayeed and Hassan, were. ♥ This interview  – and accompanying cover shot for V4#2 – were done with Jimmy at his New Kingston home in 1986. ↓


Jimmy Cliff is, without a doubt, the most internationally known Reggae artist alive. In more than 20 years in the music arena, this active, talented youth from Somerton, St. James, Jamaica, has developed exemplary discipline and staying power.

The Early Days

Jimmy CliffAt age 14, James Chambers left for Kingston. But following his first recording, “Daisy Got Me Crazy,” in 1962, James Chambers became Jimmy Cliff – teenage Ska star! Under the wing of famed producer Leslie Kong, Jimmy Cliff skyrocketed to early success with “Hurricane Hattie.” He toured the Caribbean and performed at New York’s 1964 World’s Fair before moving to England to seek his fame and fortune.

Even before his involvement in the sensational cult film The Harder They Come, Jimmy racked up several international hits in his early years, including “Wonderful World” and “Vietnam.” He toured and thrilled audiences in South America, England, and Europe. Continue reading

Buju Banton: Dancehall’s DJ Prince – 1992 Reggae History

Love Mi Buju: Dancehall’s Ruff ‘n Gruff DJ Prince

By Simon Buckland      V10#5 1992

Buju Banton Cover v!0#5 1992Seriously troubling all the more established Dancehall DJs this year is Buju Banton, a young man with stylish but homely aspirations. Ghetto-born Mark “Buju Banton” Myrie, at only 19, has, in the space of just five months, risen from interesting but run-of-the-mill Kingston DJ to front runner in the ‘92 Superstar Stakes.

True, he doesn’t have anything like the striking bone structure of the man he’s compared to – Shabba Ranks (whom I shan’t even mention ‘cause the two are, according to Buju, ‘two different kekkle of fish’) – but his reassuringly gruff warmth is usually a little less (How shall we say it?) raw! Continue reading

Reggae Dancehall History: DJ Super Cat Interview 1992

Super Cat: The Ghetto & Glory

By Brian E. Rochlin.     V10#2 1992

Dancehall DJ Super Cat
DJ Super Cat lands a Columbia Records deal in the early-90s

In Kingston, Jamaica, neighborhoods start and end within blocks, and living on them is a whole other type of education. Instead of a classroom within a single building, the classroom of the streets teaches its students to know which buildings are which. Knowing where you stand geographically can be as important as where you stand politically. The two are often related.

Each neighborhood has its own members of distinction, be they artists, politicians, musicians, or stalking DJs breaking into the international music scene. Seivwright Gardens, one of the toughest sections of the city, is noted for the many DJs that have broken away from it: U Roy, Ninja Man, Josie Wales, and Super Cat, the latest of the Gardens alumni to have graduated with honors. Continue reading

Windrush & the History of Reggae in the U.K.

Windrush Generation – Caribbean Migration to the UK from 1948-1970

Remembering the arrival of MV Empire Windrush in Essex on June 22, 1948. Hundreds of workers and their children arrived from Jamaica, Trinidad and Tobago, and other islands in response to the post-war job shortage.

The Windrush arrives in Essex, UK, June 22, 1948 with Caribbean workers

From the BBC:  Click to listen to the documentary British Music’s Caribbean Roots 

“The Windrush generation has made a significant contribution to British black music for many generations – from grime to UK garage, to drum to jungle, to gospel to Lovers Rock, from Roots and Dub to Ska, to Reggae and Calypso. Narrated by Young Warrior, the son of historic dub legend Jah Shaka, we explore the colourful roots of how British black music has entered the UK mainstream and how it is now embedded across many music genres.

With first-hand accounts from record producer, Dennis Bovell, DJ, David Rodigan, singer Marla Brown (daughter of the late great Crown Prince of Reggae, Dennis Emanuel Brown) and musician and son of Bob Marley, Julian Marley, we explore how Calypso and West Indian culture made huge inroads into the UK mainstream in the 1950s and signified the birth of British black music.

We look at the 1960s which saw Chris Blackwell, founder of Islands Records, bring Millie Small to Britain with My Boy Lollipop and the birth of Trojan records with the release of “Do the Reggay” by The Maytals in 1968, which was the first popular song to use the word ‘reggae’ and defined the developing genre by giving it its name. We also explore the music of the 1970s which saw the first major influx of British reggae with bands such as Aswad and Matumbi and hear about how Jamaican music began to influence British pop music with the rise of bands, such as The Specials and Madness.”

Read the BBC’s June 22, 2020, Windrush Generation overview here.

beenie man reggae

Beenie Man: The Dancehall Maestro Interview 1997 & 2020 Update

Update 2020: Moses “Beenie Man” Davis is the self-proclaimed King of the Dancehall, but I don’t think you will find too many people to disagree; especially after the Clash seen and heard-around-the-world in May 2020. Beenie and Bounty Killer, his arch-rival from the 90s Dancehall era, joined forces to deliver a Verzuz online sound clash witnessed by more than a half a million fans around the world.

The 46-year-old writer, producer & performer continues to work hard and put out numerous singles, EPS & LPs. Following the Verzuz Clash, Beenie released the single “Do You Want to Be That Guy?,” referring to the police officer who entered the studio during their live-stream. He never misses an opportunity to capitalize on the success and notoriety he’s earned over the past 35 years. What follows here is an interview with the “Maestro” while his star was blazing in the mid-90s Dancehall arena.♥

Beenie Man – The Maestro

By Sara Gurgen       V15#1 1997

beenie man reggae dancehall dj
Beenie Man – DJ of the Year – Two Years in a Row!

Maestro, the title of Beenie Man’s recently released album, perfectly describes this premier Jamaican DJ. After all, this proud member of the successful, hard-working Shocking Vibes crew has been wearing the crown of DJ of the Year for two years in a row; a dizzying array of his songs dot Reggae charts worldwide; and he is responsible for setting and/or popularizing numerous trends in Dancehall music. Two of his hits that best illustrate his trademark creativity are “Maestro,” which combines opera-style vocals with a Dancehall beat, and “Nuff Gal,” on which he chats over a finger-snapping, horn-laden Jazz line. Always one to try something new, this innovative music master has even fused good ol’ Rock’n Roll with Dancehall on his new album!

Continue reading

Bounty Killer: The Poor People’s Governor-1997 Interview & 2020 Update

Update 2020: Rodney “Bounty Killer” Price is a man with many names; fans call him General, Warlord, and Governor. From the height of the 90s Dancehall DJ era, Bounty has continued recording, performing, and doing some general ‘bad boy bizness.’ He also inspired such DJs as Mavado & Elephant Man and teamed up with young artists, such as Konshens. 

Recently he performed as part of an online soundclash with former rival Beenie Man as presented by the Verzuz IG Live series. 

Through the Bounty Killer Foundation and his “Give Back to…” program, Bounty assists single mothers and other people in need in his community and throughout Kingston.♥

Bounty Killer: The Poor People’s Governor

Interviewed by Shelah Moody & Rachel Campbell
Written by Shelah Moody    V15#3 1997

bounty killer reggae dancehall djs jamaican music
Bounty Killer

Since the September 1996 release of his fourth album, My Xperience, which features hard-hitting and brilliant collaborations with Barrington Levy, Fugees, Busta Rhymes, Junior Reid, and others, Bounty Killer has blown up in the Reggae and Hip-Hop communities. Between U.S. and international concert and club dates, video shoots, interviews, and publicity tours, it is no wonder the 25-year-old DJ has gained a reputation as one of the industry’s most elusive personalities. After months of endless calls to his record label, Blunt Recordings, his manager, Johnny Wonder, and Killer’s personal cellular number in Jamaica, I had almost given up hope on our long-awaited interview until it was announced that Bounty would headline Dancehall Day at the 16th annual Ragamuffins Festival (Feb. 14-16) in Long Beach, Calif. Continue reading

Maxi Priest: This is My Life – A 2015 Interview & 2020 Update

by M. Peggy Quattro

maxi priest reggae report
Maxi Priest, It All Comes Back to Love 2020

Update 2020:  Due to Covid, Maxi is currently unable to tour. He is, however, busy on social media staying engaged with his fans and promoting his latest LP, It All Comes Back to Love, and his latest music video “I’m All Right,” featuring and produced by our friend Shaggy! Watch the video at the end of this up close & personal interview

(This article is from my 2015 interview)

Maxi Priest with Easy to Love CD
Maxi Priest – Easy to Love CD 2015

No doubt, Maxi Priest is one of the hardest and longest-working men in the Reggae biz. In town to perform for the ONE Caribbean Fest, and, following an exclusive Meet, Greet, and Eat fan luncheon at Miami’s HOT 105 to promote his Easy to Love CD, the supercharged singer sat down inside the Miramar offices of VP Records for a long-overdue catch-up interview.

Our connection goes way back. Maxi Priest has been featured on no less than five Reggae Report magazine covers, and from 1985 to 1998, he was featured, reviewed, interviewed, or mentioned in innumerable issues. In fact, since storming the music scene from his South London base in 1985, Maxi Priest has not stopped writing, recording, performing, promoting, producing, or rockin’ n’ rollin’, all while circling the globe .  Continue reading