Category Archives: Read by Volume/Issue/Year

Articles & more by each Volume/Issue/Year

Reggae History: Andrew Tosh-Son of Peter Tosh-Interview

Update 2020: Like most artists at this time, Andrew Tosh (born Carlos Andrew McIntosh) has had to put all plans for 2020 touring on hold. This interview below was one of his last before he took a 10-year break from recording.

Andrew Tosh Cover V8#7 1990
Andrew Tosh Cover V8#7 1990

He returned with the Message to Jah album in 2000 and recorded four more through 2013, making a total of seven albums released. He received his second Grammy nomination in 2011 for Best Reggae Album for Legacy: An Acoustic Tribute to Peter Tosh produced by himself, Dawn Simpson & veteran producer Handel Tucker. This album featured duets with Ky-mani Marley and Bunny Wailer. Andrew was previously nominated for a Best Reggae Album for 1989’s Make Place for the Youth.

Andrew has performed at several Peter Tosh Tribute shows and festivals around the globe in the 20-teens. In February 2020, he was joined by musicians around the world for an inspiring version of “Mama Africa,” a song made by famous by his legendary father. Andrew was filmed in Trench Town, Kingston, Jamaica, and was joined by musicians and singers in Mali, Congo, South Africa, Brazil, and by his father’s former bassist, Fully Fullwood from his Los Angeles home. To watch this uplifting video from the amazing Playing For Change, click here.←


Make a Place for Andrew Tosh!

By Terri Larsen       V8#7 1990

Andrew Tosh, the eldest son of “Mystic Man” Peter Tosh, has become one of the most exciting youths to enter the 90s. With a musical style that emulates his father, not only in voice but in continually providing the youth of today with a message, Andrew has consistently proven that he not only has the sound of Peter Tosh but [also] an imagination and creativity that is purely his own. Continue reading Reggae History: Andrew Tosh-Son of Peter Tosh-Interview

Beenie Man: The Dancehall Maestro Interview 1997 & 2020 Update

Update 2020: Moses “Beenie Man” Davis is the self-proclaimed King of the Dancehall, but I don’t think you will find too many people to disagree; especially after the Clash seen and heard-around-the-world in May 2020. Beenie and Bounty Killer, his arch-rival from the 90s Dancehall era, joined forces to deliver a Verzuz online sound clash witnessed by more than a half a million fans around the world.

The 46-year-old writer, producer & performer continues to work hard and put out numerous singles, EPS & LPs. Following the Verzuz Clash, Beenie released the single “Do You Want to Be That Guy?,” referring to the police officer who entered the studio during their live-stream. He never misses an opportunity to capitalize on the success and notoriety he’s earned over the past 35 years. What follows here is an interview with the “Maestro” while his star was blazing in the mid-90s Dancehall arena.♥

Beenie Man – The Maestro

By Sara Gurgen       V15#1 1997

beenie man reggae dancehall dj
Beenie Man – DJ of the Year – Two Years in a Row!

Maestro, the title of Beenie Man’s recently released album, perfectly describes this premier Jamaican DJ. After all, this proud member of the successful, hard-working Shocking Vibes crew has been wearing the crown of DJ of the Year for two years in a row; a dizzying array of his songs dot Reggae charts worldwide; and he is responsible for setting and/or popularizing numerous trends in Dancehall music. Two of his hits that best illustrate his trademark creativity are “Maestro,” which combines opera-style vocals with a Dancehall beat, and “Nuff Gal,” on which he chats over a finger-snapping, horn-laden Jazz line. Always one to try something new, this innovative music master has even fused good ol’ Rock’n Roll with Dancehall on his new album!

Continue reading Beenie Man: The Dancehall Maestro Interview 1997 & 2020 Update

Bounty Killer: The Poor People’s Governor-1997 Interview & 2020 Update

Update 2020: Rodney “Bounty Killer” Price is a man with many names; fans call him General, Warlord, and Governor. From the height of the 90s Dancehall DJ era, Bounty has continued recording, performing, and doing some general ‘bad boy bizness.’ He also inspired such DJs as Mavado & Elephant Man and teamed up with young artists, such as Konshens. 

Recently he performed as part of an online soundclash with former rival Beenie Man as presented by the Verzuz IG Live series. 

Through the Bounty Killer Foundation and his “Give Back to…” program, Bounty assists single mothers and other people in need in his community and throughout Kingston.♥

Bounty Killer: The Poor People’s Governor

Interviewed by Shelah Moody & Rachel Campbell
Written by Shelah Moody    V15#3 1997

bounty killer reggae dancehall djs jamaican music
Bounty Killer

Since the September 1996 release of his fourth album, My Xperience, which features hard-hitting and brilliant collaborations with Barrington Levy, Fugees, Busta Rhymes, Junior Reid, and others, Bounty Killer has blown up in the Reggae and Hip-Hop communities. Between U.S. and international concert and club dates, video shoots, interviews, and publicity tours, it is no wonder the 25-year-old DJ has gained a reputation as one of the industry’s most elusive personalities. After months of endless calls to his record label, Blunt Recordings, his manager, Johnny Wonder, and Killer’s personal cellular number in Jamaica, I had almost given up hope on our long-awaited interview until it was announced that Bounty would headline Dancehall Day at the 16th annual Ragamuffins Festival (Feb. 14-16) in Long Beach, Calif. Continue reading Bounty Killer: The Poor People’s Governor-1997 Interview & 2020 Update

Bobby Digital – Reggae/Dancehall Producer for the ’90s

Update 2020: We are saddened to report the passing of producer/engineer Bobby Digital on May 21, 2020. His son Sheldon relayed that his father passed away from a kidney-related illness. The entire Reggae and Dancehall family mourns the loss of this visionary who left his mark and sound on five generations of musical history.  ~ M. Peggy Quattro

Bobby Digital – The Producer for the ’90s

By Clyde McKenzie     V14#3 1996

Bobby Digital, producer extraordinaire, shares the same astrological sign as such notables as Albert Einstein, Quincy Jones, and Mikhail Gorbachev. This affable Pisces is also a first-class studio engineer and creator of some of Reggae’s most compelling rhythms, including the popular “Kette.”

bobby digital, digital b, reggae, dancehall history, reggae history, dancehall, kingston, jamaica, 90s reggae
Robert “Bobby Digital” Dixon
Photographer Unknown

Bobby Digital’s life began in a fashion not far removed from that of many major players in the music industry. He was born poor to Mary, a dressmaker, and Eric Dixon, a carpenter. With his four siblings, Bobby Dixon shared a modest existence in the Olympic Gardens area Kingston, notorious for its natives who find refuge in a life of crime.

Continue reading Bobby Digital – Reggae/Dancehall Producer for the ’90s

Garnet Silk – On Record – A Discography 1995

Garnet Silk on Record

by Lee O’Neill           V13#2 1995

The passing of Garnet Silk is greatly mourned throughout the Reggae community. It is becoming a far too common occurrence for talented artists to needlessly lose their lives. In Silk’s case, the tragedy is compounded by his youthfulness, his vitality and the sense that he hadn’t yet come close to fulfilling his considerable potential.

It’s Growing was Silk’s first album released on VP Records in 1992, although he had been releasing records for at least a couple of years in Jamaica. It’s inconsistent, at best, with a handful of great songs, such as the title track, “Place in Your Heart,” “Commitment” and “I Am Vex.” Some of the other songs, however, sound forced or incomplete, and while Silk has one of the best voices, he hadn’t completely learned to control it or discipline it on It’s Growing. The session was produced by Bobby Digital. Continue reading Garnet Silk – On Record – A Discography 1995

Garnet Silk Legacy Discussed with Rebel, Garrick & Semaj

Garnet Silk Returns to Zion

by Howard Campbell      V13#2 1995

Garnet at home, 1/13/94

Before we proceed, let’s get one thing straight, Garnet Silk was no Bob Marley. He didn’t profess to be Bob Marley, nor did he want to be. Despite the obvious similarities in religion and profession, the two possessed entirely different personalities.

The inevitable comparisons that have been made since Garnet burst onto the scene three years ago have been further fueled since his death a few months ago. Such a flattering likeness is evidence of the social impact the 28-year-old singer made in such a short period. In fact, he created a spark more famous names, like Ziggy Marley, failed to ignite among the masses.

That was probably the most glaring similarity between Bob Marley and Garnet Silk, the fact that they were both hero-worshipped by Jamaica’s lower class and, through their music, transformed the status quo of a country obsessed with social standing. Continue reading Garnet Silk Legacy Discussed with Rebel, Garrick & Semaj

Lady G – Interview with the DJ V12#09 1994

Lady G – Don’t Call Her Gal  1994

Interviewed by M. Peggy Quattro
Written by Sara Gurgen

The talented ladies in Reggae have historically taken a back seat to the popularity of their numerous male counterparts. A handful of singers, and even fewer DJs, have held their ground and withstood the test of time.

Not to be outdone by the current crop of new lady DJs, the lovely and talented Lady G has consistently proved that she is not yet ready to be considered among the “dead and gone.” The sweet appearance of Lady G does not belie her steely interior, and the Spanish Town-born DJ has taken her shot at macho males with her latest sizzling releases. Lady G, who has seen a great response to her hit song “Me or the Gun,” a demand that her man chooses between which one “gives more fun,” is now coming in strong with her latest song “If I was a Gal.”

Lady G
Lady G Live at Reggae Cafe

“You’ve got guys who call women gals; that’s not the right way for a man to style [call] a woman,” said Lady G following her terrific performance inside Ft. Lauderdale’s Reggae Cafe. Referring to her new song, she goes on to explain: “It’s not the name they should call the women. In some countries–like Trinidad–they call their women gal. It’s not the name that they call the women, it’s the way they express it.” Lady G is telling the men that if they want to get a woman’s attention, these days, that’s not the way to do it. Continue reading Lady G – Interview with the DJ V12#09 1994