Beenie & Bounty – The Digital Dancehall Clash of the Century!
Kingston, JA – May 23, 2020 – Beenie Man and Bounty Killer, the two Dancehall legends that dominated Reggae’s DJ scene in the ‘90s, live-streamed a lively sound clash battle that was viewed—and engaged with—by virtually a half a million global fans.
The once-feuding competitors stirred up some dance hall memories: 1) remembering the traveling dance hall sound systems of the 50s and 60s when rivals-of-the-time would battle it out with rapid-fire lyrics relating to politics, women, sex, and the socio-economic injustices of the time, and 2) the “sonic dominance” of the traveling 70s, 80s, and 90s mega-sound systems.
Update 2020: Due to Covid, Maxi is currently unable to tour. He is, however, busy on social media staying engaged with his fans and promoting his latest LP, It All Comes Back to Love, and his latest music video “I’m All Right,” featuring and produced by our friend Shaggy! Watch the video at the end of this up close & personal interview ⇓
(This article is from my 2015 interview)
No doubt, Maxi Priestis one of the hardest and longest-working men in the Reggae biz. In town to perform for the ONE Caribbean Fest, and, following an exclusive Meet, Greet, and Eat fan luncheon at Miami’s HOT 105 to promote his Easy to Love CD, the supercharged singer sat down inside the Miramar offices of VP Records for a long-overdue catch-up interview.
Our connection goes way back. Maxi Priest has been featured on no less than five Reggae Report magazine covers, and from 1985 to 1998, he was featured, reviewed, interviewed, or mentioned in innumerable issues. In fact, since storming the music scene from his South London base in 1985, Maxi Priest has not stopped writing, recording, performing, promoting, producing, or rockin’ n’ rollin’, all while circling the globe . Continue reading →
UPDATE 2020: Julian “JuJu” Marley is currently in Jamaica during the COVID-19. He is keeping busy with his music, his “JuJu Royal” CBD line, & supporting people globally as we go through this pandemic together. Touring to support his latest Grammy-nominated album, As I Am, is temporarily on hold. So instead, Julian streams his campfire sessions where he sings and plays guitar.
In Feb., Julian participated in the opening of Trench Town’s Cornerstone Learning Center, founded by the Marley brothers and the Ghetto Youths Foundation. In April, he was part of Jamaica’s Telethon to raise funds for the first responders. He talks about the new music he is producing now, which highlights the 80s Afrobeats influence he enjoyed while growing up in multi-cultural London.
To watch & listen to Julian Marley’s latest single “Fly,” a tribute to his daughter who passed away in 2019 from cancer, go to the link at the end of this interview ↓↓↓♥
By M. Peggy Quattro
Miami, FL, 2011 – Julian Ricardo Marley, a seasoned Roots Reggae performer, is a multi-talented musician, writer, and singer. Born June 4, 1975, in London, Julian is the only British-born Marley son. He spent summers with his extended family in Kingston, where he tuned in to Rastafari and became immersed in the Marleys’ musical environment. A self-taught musician, Julian is skilled at guitar, drums, bass, and keyboards. Since the 1996 release of his debut CD Lion in the Morning, Julian “JuJu” Marley has traveled the world extensively to perform alongside his talented brothers. The 2003 CD Time and Place, and 2009’s Awake, have resulted in a large legion of loyal fans that attend his solo performances. At the invitation of the Jamaican government, Julian Marley and the Uprising band represented his adopted country and performed at the historic 2008 Beijing Olympics.
Julian spends time between London, Kingston, and Miami; much time is devoted to working and recording in the family-owned Lions Den studio. On a recent mini-Florida tour, I caught up with Julian following his casual and intimate performance at Pineapple Groove in Delray Beach, Fla. Continue reading →
Skip Marley, the 23-year-old grandson of Bob Marley, burst onto the Reggae scene in a blaze of glory in 2015. Born June 4, 1996, and rightfully blessed from birth, the multi-talented Skip (so named to honor his grandfather’s nickname) plays numerous instruments, writes, and has the best of music industry connections, beginning with his mother, Cedella Marley, Bob’s firstborn child, original Melody Maker, CEO, & entrepreneur. But, without the gifts of a haunting Bob Marley-esque voice, extreme good looks, and a pleasing personality and great smile, Skip Marley, a relative newcomer on the Reggae scene, may not have so quickly reached the higher heights he now so readily enjoys. Continue reading →
The Conscious Era of Reggae – the positive, Rasta-inspired message music associated with the early 1990s – primarily showcased male DJs and singers, notably such stalwarts as Everton Blender, Luciano, Tony Rebel, and Garnet Silk…all revolutionary. This current generation welcomes our female “Love Revolutionary,” our “Rebel Empress,” our Jah9.
Singer/Poet Jah9, aka Janine Cunningham, was born May 23, 1983, in Montego Bay, Jamaica. She was raised in nearby Falmouth by a preacher father and singer mother. Her roots in Nina Simone and Billie Holiday are heard in her neo-soul-India-Arie-like, Jazzy, Dancehall, Dub-style delivery of self-penned poetic and powerful lyrics. Her stories surround Rastafari and Selassie, as well as the importance of yoga and women & children’s causes. Continue reading →
GANJA REGGAE of the 70s, 80s & 90s 20 of the Best for 4/20
Okay, let’s be blunt. The celebration of 4/20 has a long and storied history. It apparently took 20+ years for the original “4:20 dudes” to be given credit for their undeniable contribution to the “day of marijuana” title and tale.
A northern California group of friends—known as the Waldos—would gather at 4:20 p.m. to smoke a “doobie” next to a wall on their high school campus. They’d whisper 420 to each other as the Waldo’s secret code for marijuana. That catchy number was picked up years later by the Grateful Dead and High Times magazine and 4/20 was soon catapulted into the stratosphere, thus becoming the global code for “let’s smoke a doobie” day.
Jamaican artists were always on board with smoking a doobie, or, as they called it, a spliff. There have been hundreds ‘pon hundreds of “ganja” tunes recorded since the 60s. The Rastas, in particular, have been growing and smoking ganja before those Cali teens were out of diapers.
Rastas have long preached of “herb” being “the healing of the nation.” And now, with medical marijuana stores, cafés, and products sprouting up around the world, it seems that, hell yeah, they are right. Big up, our number one cannabis crusader Peter “Legalize It” Tosh! Boom!
Maybe you “want to have Kaya now”? And you’re here to listen to some of the best-of-the-best Ganja Reggae songs. So, in honor of 4/20, we’re offering 20 of the best Ganja Reggae songs for your smoking pleasure. This hand-selected roster of your favorite singers, groups & DJs covers the 70s, 80s & 90s eras of Reggae music. So, “light up your spliff…light up your chalice” and enjoy the ride!