All posts by M.Peggy Quattro

#ReggaeReport Founder-Publisher; #Reggae Pioneer; Writer/Editor; Social Media Marketing-Consultant-Manager

INNER CIRCLE GRAMMY NOD V13#2 1995

2019 UPDATE: Congratulations to brothers Ian and Roger Lewis, co-founders of the Grammy-winning band Inner Circle, on receiving Jamaica’s Order of Distinction (the government’s sixth-highest civic honor) at a King’s House ceremony on October 21, 2019, in Kingston. Honored for Inner Circle’s more than 50-year musical contributions, their iconic lead singer Jacob Miller was also recognized and awarded, and his son Taki Miller accepted posthumously on his behalf.

Here is a Reggae Report interview and story by writer and editor Sara Gurgen after catching up with bandleader Roger Lewis following Inner Circle’s 1994 Grammy nomination for Best Reggae Album (they won that Grammy in 1993!)

INNER CIRCLE – Miami’s “Bad Boys” Nominated for ’94 Grammy

by Sara Gurgen

They won the Grammy for best 1993 Reggae album, and now Inner Circle–Miami’s world-famous, hard-working “Bad Boys” of Reggae–have been nominated for the 1994 Grammy with their latest Big Beat/Atlantic release, Reggae Dancer.

“It’s doing excellent, man, everywhere in the world; and when I mean excellent, I mean excellent,” said band leader and rhythm guitarist, Roger Lewis, in a recent Miami interview during a brief respite from Inner Circle’s hectic touring schedule.

“It is one of the biggest selling foreign albums in Japan. Over 300,000 albums [have sold] in Japan [as of Dec. 21]. Hundreds of thousands in Mexico. In Brazil, in Europe–very well. In America, it’s not doing too bad. I think we made it up to about 200,000 copies.”

One of the songs on the album that has been released worldwide and doing very well is “Games People Play.” “It was not really a success in America, but ‘Games People Play’ was literally a hit single everywhere else in the world,” explained Roger. “It was a top 10 song in about 10 countries in Europe. It didn’t really go No. 1 and do what “Sweat” did, but it was top 10 in Holland, in Germany, in Scandinavia, in Brazil; and it was No. 1 in Japan.” Continue reading

peter tosh tribute story

THE TRAGIC DEMISE OF “MYSTIC MAN” PETER TOSH V5#5 1987

By M. Peggy Quattro

The mystery surrounding the violent death of Reggae Superstar PETER TOSH is as complex and mysterious as the man himself.  The many reports, stories, assumptions, and speculations leave a shroud of doubt and suspicion in staggering proportions.

What is known to date is that on the evening of Friday, September 11, 1987, three gunmen on motorcycles entered Tosh’s Plymouth Avenue residence in Barbican, Kingston, Jamaica. Apparently known by Tosh, the three were in the house for a short while before the massacre began. What a dark day for Reggae and a sad and shameful day for mankind. One of the killers, Dennis Lobban, turned himself into the Kingston Police only days later, following a warrant issued for his arrest and the involvement of Interpol (the international police force.) Two others are still being detained, their names as yet unannounced.

The first to be fired upon was Marlene Brown, long-time girlfriend and Tosh’s current manager and accountant. Winston “Doc” Brown was shot and killed on the spot, with Peter being shot several times and reportedly beat about the head. He died hours later at the University of the West Indies Hospital.  Jeff “Free I” Dixon also received shots to the head resulting in his death days later. Also wounded were Free I‘s wife Joy, Peter’s drummer Carlton “Santa” Davis, and another friend named Michael Robinson. Continue reading

New Release: Reggae Trilogy Vol. 1: 200+ 80s & 90s Artist Headshots

Reggae Report Publisher Releases Vol. 1 of Reggae Trilogy: 200+ 80s & 90s Reggae & Dancehall Artist Headshots
The First eBook from the Reggae Report Archives is an Essential Timeline Depicting the Fashion, Culture & Lifestyle of this Dynamic Era

Publisher M. Peggy Quattro releases the first compilation of Reggae history from the Reggae Report Archives. Reggae Trilogy Vol. 1: 200+ 80s & 90 Artist Headshots is an entertaining, engaging time capsule that features 13 chapters of Reggae and Dancehall Headshots. Each collection begins with a personal and enlightening introduction by the Reggae pioneer. More than 200 promo Headshots depict the distinctive fashion, culture, and lifestyle that catapulted Reggae artists onto the 80s and 90s world stage.

Thousands of promotional Headshots poured into Reggae Report for more than 20 years. As a fan and archivist, Ms. Quattro knew one day these photos would tell their own story. This wealth of photos will be delivered in three volumes of the Reggae Trilogy series. Crucial chapters include the Bands, Legends, Women, Singers, Groups, Dub Poets, Dancehall, Musicians, USA Reggae, International, Industry Pros, The Marleys, and Where Are They Now?. Continue reading

Lady G–Don’t Call Her Gal V12#09 1994

Interviewed by M. Peggy Quattro
Written by Sara Gurgen

The talented ladies in Reggae have historically taken a back seat to the popularity of their numerous male counterparts. A handful of singers, and even fewer DJs, have held their ground and withstood the test of time.

Not to be outdone by the current crop of new lady DJs, the lovely and talented Lady G has consistently proved that she is not yet ready to be considered among the “dead and gone.” The sweet appearance of Lady G does not belie her steely interior, and the Spanish Town-born DJ has taken her shot at macho males with her latest sizzling releases. Lady G, who has seen a great response to her hit song “Me or the Gun,” a demand that her man chooses between which one “gives more fun,” is now coming in strong with her latest song “If I was a Gal.”

Lady G
Lady G Live at Reggae Cafe

“You’ve got guys who call women gals; that’s not the right way for a man to style [call] a woman,” said Lady G following her terrific performance inside Ft. Lauderdale’s Reggae Cafe. Referring to her new song, she goes on to explain: “It’s not the name they should call the women. In some countries–like Trinidad–they call their women gal. It’s not the name that they call the women, it’s the way they express it.” Lady G is telling the men that if they want to get a woman’s attention, these days, that’s not the way to do it. Continue reading

Reggae’s Sly & Robbie – An Interview 2008

Sly & Robbie: Reggae Disciples Standing Up For Reggae

Words by M. Peggy Quattro  –  Aug. 30, 2008
(Listen to the Audio below!)

With careers spanning more than 30 years and hundreds of thousands of recorded tracks, SLY and ROBBIE – aka the Riddim Twins – are still standing up for reggae. Equal partners in the studio or on the stage, these world-renown artists, performers, and producers represent reggae to the fullest. Fueled by, what Robbie calls “God-power,” this ageless duo is having a seriously fun time doing it.

I caught up with Sly and Robbie, long-time friends and colleagues, after their rousing performance with reggae rock dubsters Simply Stoopid, Internet sensations hailing from southern California, and Hawaii’s popular threesome, Pepper. These groups are young, energetic, and tour 250+ days a year. For 10 years, these reggae rockers have bucked the system and achieved phenomenal success by using the Internet as their medium. Starting out by performing for 50, 100, then 500+ faithful fans, both groups now sell their original music online and draw thousands of loyal fans to their wildly entertaining live performances.

Sly & Robbie with MPeggyQ 8/30/2008

Continue reading

Stephen Marley: The Angry Lion Takes Control – 2010

By M. Peggy Quattro

With the release of “Mind Control,” the debut chart-topping CD from the second son of Reggae’s original lion, Stephen Marley raises the bar and sets the standard for the future of Reggae music. Not bothered by the inevitable comparisons of looks and sound to his famous father, Stephen is honored by the resemblance and proud to deliver the same message of love, unity, and awareness that made Bob Marley a household name.

Personally, this is one CD I cannot listen to enough. From first hearing the title track, you know that this is going to be a breakthrough album. Each song that follows is a musical journey that permits the listener to become intimate with its creator. Stephen is fearless in displaying his political and social consciousness, as well as exposing a personal vulnerability seldom witnessed in Reggae music. Continue reading