UNITED KINGDOM – JUNE 18: GLASTONBURY FESTIVAL Photo of BLACK UHURU, Puma Jones of Black Uhuru at Glastonbury Festival 18 June 6 1982 (Photo by David Corio/Redferns)
Puma Jones is the American-born female vocalist in the 1984/85 Grammy Award-winning trio Black Uhuru. One of the first women to break into Reggae’s “Big Time,” Puma proudly acknowledges her position as a forerunner in the recent surge of female recording artists filling international charts today.
Born in Columbia, South Carolina, on October 5, 1953, Puma migrated to New York in the ‘60s, where she grew up listening to Aretha Franklin and Dionne Warwick. Continue reading →
The Music of Sonia Pottinger–High Note & Gay Feet V9#3 1991
(2020 Update below)
By Lee O’Neill
Sonia Pottinger, Reggae’s first female producer
Many consider the mid-to-late sixties the golden age of Jamaican music. As the early Ska beat was changing into what would become Reggae, artists such as Ken Boothe, The Paragons, Alton Ellis, the Techniques, and the Gaylads were making hit after classic hit, and producers like Clement Dodd, Duke Reid, and Clancy Eccles were busy making bundles of money while defining the sound of Reggae music.
One of the most successful of these early producers was Sonia Pottinger, owner of the Gayfeet and High Note labels, possessor of a keen commercial sense and artist’s touch in the studio. Some of Reggae’s greatest songs were released on her label. Until recently, Pottinger’s reputation was in danger of disappearing. New anthologies of Pottinger productions on Heartbeat (Musical Feast) and Trojan (Put on Your Best Dress) join a few scattered tracks on anthologies, reissues of two of the Culture albums she produced, and some out-of-print Jamaican LPs, in a growing tribute to her talent Continue reading →
When asked to recall the first time he heard Third World’s music, Damian “Junior Gong” Marley, who has known many of the legendary band’s members since he was a baby, briefly paused before responding. “It’s hard to say the exact moment because I was so young,” Damian said, “but it must have been at Cat’s house (Third World guitarist/cellist/vocalist Stephen “Cat” Coore, the father of Shiah Coore, Damian’s lifelong friend and bassist in his band). I remember Cat would come home from the studio where he was working on an album and play the music, I remember seeing album covers, the plaques the band had received. Really, Third World’s music has had a presence throughout my whole life.”
For several years, Damian had wanted to produce an album for the band with the intent of introducing their music to a younger demographic. However, with their respective hectic schedules, finding a mutually convenient time frame to write and record proved somewhat challenging. But the outstanding result, More Work to Be Done (out on the Marley family’s Ghetto Youths International imprint), was well worth the wait. “Third World had many songs they were working on; because they are top-notch musicians, they were all good songs, but those songs wouldn’t have accomplished my goal of moving them into this new generation of music,” Damian, a four-time Grammy winner, told Billboard on the phone from his Miami studio. “We had discussions about re-approaching some of the songs, even the songwriting, so we almost started the album from scratch halfway through working on it. We had songwriting sessions together, came up with ideas and developed what was most attractive to us. That’s what you are hearing on the album.”
In the beginning… was Robert Nesta (Bob) Marley and a new music form was brought forth… An international sound destined to educate and liberate the people from thousands of years of mental slavery. There followed a son… David Robert Nesta Marley… Brought forth to carry on the age-old musical crusade… a youth reaching out, touching hearts, of a new courageous and wise generation. “This is a new time and a new system,” declares the younger Marley, “my father was like the Old Testament… I am the New Testament.”
A strong, powerful and confident young man, 19-year-old Ziggy (a name given him by his father at an early age) is also warm, intense and somewhat shy. As good friend Judy Mowatt has said “Ziggy is the complete replica of his father…possessing that command like ‘I am here!’” His quick bright smile and soft, yet earnest eyes, displace any trace of egotism.
Serious, soulful Ziggy – NYC interview with MPQ 1987
It did my heart good to catch up with Ziggy in New York at the conclusion of recording Virgin Records’ Melody Makers debut album.
What follows is an interview and overview:
MPQ: So Ziggy, when and where were you born?
Ziggy: Trenchtown, inna mi yard, 1968, October 17.
MPQ: Are you still single, attached, looking?
Ziggy: No (laughs) mi free still… Me nuh look still, but me all right. Continue reading →
Born on 11 November 1961, his mother called him London Andrew Roberts. Growing up, however, he was given the name Half Pint by a neighbor in his childhood community [of] Waterhouse in Kingston 11.
Half Pint’s career as a singer/songwriter began to take shape in 1983 when his smash hit single “Winsome” topped the charts in Jamaica. The next couple of years were to be the foundation years for Half Pint. During this time three albums were released – Moneyman Skank, Half Pint in Fine Style, and One in a Million [that] included hit singles like “Political Fiction,” “Mr. Landlord,” “Moneyman Skank,” and “Sally.” Continue reading →
