All posts by M. Peggy Quattro

#ReggaeReport Founder-Publisher; Reggae Pioneer; Author "Reggae Trilogy: 200+ 80s & 90s Artist Headshots", Writer/Editor; Consultant

Reggae’s Sly & Robbie – An Interview 2008

Sly & Robbie: Reggae Disciples Standing Up For Reggae

Words by M. Peggy Quattro  –  Aug. 30, 2008
(Listen to the Audio below!)

With careers spanning more than 30 years and hundreds of thousands of recorded tracks, SLY and ROBBIE – aka the Riddim Twins – are still standing up for reggae. Equal partners in the studio or on the stage, these world-renown artists, performers, and producers represent reggae to the fullest. Fueled by, what Robbie calls “God-power,” this ageless duo is having a seriously fun time doing it.

“Fueled by, what Robbie calls “God-power,” this ageless duo is having a seriously fun time doing it.”

I caught up with Sly and Robbie, long-time friends and colleagues, after their rousing performance with reggae rock dubsters Simply Stoopid, Internet sensations hailing from southern California, and Hawaii’s popular threesome, Pepper. These groups are young, energetic, and tour 250+ days a year. For 10 years, these reggae rockers have bucked the system and achieved phenomenal success by using the Internet as their medium. Starting out by performing for 50, 100, then 500+ faithful fans, both groups now sell their original music online and draw thousands of loyal fans to their wildly entertaining live performances.

Sly & Robbie with MPeggyQ 8/30/2008

Continue reading Reggae’s Sly & Robbie – An Interview 2008

Reggae Trilogy Vol. 1: 200+ 80s & 90s Artist Headshots

Reggae Report Publisher Releases Vol. 1 of Reggae Trilogy: 200+ 80s & 90s Reggae & Dancehall Artist Headshots
The First eBook from the Reggae Report Archives is an Essential Timeline Depicting the Fashion, Culture & Lifestyle of this Dynamic Era

Publisher M. Peggy Quattro releases the first compilation of Reggae history from the Reggae Report Archives. Reggae Trilogy Vol. 1: 200+ 80s & 90 Artist Headshots is an entertaining, engaging time capsule that features 13 chapters of Reggae and Dancehall Headshots. Each collection begins with a personal and enlightening introduction by the Reggae pioneer. More than 200 promo Headshots depict the distinctive fashion, culture, and lifestyle that catapulted Reggae artists onto the 80s and 90s world stage.

Thousands of promotional Headshots poured into Reggae Report for more than 20 years. As a fan and archivist, Ms. Quattro knew one day these photos would tell their own story. This wealth of photos will be delivered in three volumes of the Reggae Trilogy series. Crucial chapters include the Bands, Legends, Women, Singers, Groups, Dub Poets, Dancehall, Musicians, USA Reggae, International, Industry Pros, The Marleys, and Where Are They Now?. Continue reading Reggae Trilogy Vol. 1: 200+ 80s & 90s Artist Headshots

Stephen Marley: The Angry Lion Takes Control 2010

By M. Peggy Quattro

With the release of “Mind Control,” the debut chart-topping CD from the second son of Reggae’s original lion, Stephen Marley raises the bar and sets the standard for the future of Reggae music. Not bothered by the inevitable comparisons of looks and sound to his famous father, Stephen is honored by the resemblance and proud to deliver the same message of love, unity, and awareness that made Bob Marley a household name.

Personally, this is one CD I cannot listen to enough. From first hearing the title track, you know that this is going to be a breakthrough album. Each song that follows is a musical journey that permits the listener to become intimate with its creator. Stephen is fearless in displaying his political and social consciousness, as well as exposing a personal vulnerability seldom witnessed in Reggae music. Continue reading Stephen Marley: The Angry Lion Takes Control 2010

Capleton – The Prophet “Pon Tour” V13#1 1995

CAPLETON  – THE PROPHET ‘PON “TOUR”

by Patricia Meschino    V13#1 1995

The imposing stage at Jamworld, St. Catherine, Jamaica, the largest open-air entertainment center in the Caribbean and occasional home of Sting and former home of Reggae Sunsplash, is a challenge for any musical artist. When an entertainer fails to meet audience expectations there, the repercussions are greatly magnified; but when an artist delivers spectacularly, the effects seem to reverberate all the way to the island’s north coast!

While Sunsplash ’94 was, as a whole, not as successful as previous years, the five-day event nonetheless produced some unforgettable musical moments that are still being talked about. On Dancehall Night, the performance most “Splashers” are still raving about came from Capleton.

V13#1 1995

Continue reading Capleton – The Prophet “Pon Tour” V13#1 1995

Diana King Candid Interview – V15#8 1997

Diana King: Doing What Feels Right

By Sara Gurgen   (V15#8 1997)

Diana King Candid Interview in V15#8 1997
Download V15#8 1997 to read this & more!

Since Reggae Report last caught up with Reggae/Rap/R&B diva Diana King, the sultry singer-songwriter married the man who inspired her crossover hit “Shy Guy,” moved to sunny South Florida, delivered a healthy baby boy, and is currently doing promotional activities in support of her new album, Think Like a Girl (Work), a powerful follow-up to her critically acclaimed debut, Tougher Than Love (1995 Work/Columbia).

During an early October interview while en route to a radio visit in Providence RI, the affable, articulate Jamaican-born artist spoke candidly about the long-awaited new album, her innovative vocal style, and the personal and musical developments that have led to this point in her career. Continue reading Diana King Candid Interview – V15#8 1997

Julian Junior Marvin of Bob Marley’s Wailers is on a Mission

The Message of Love Tour Takes to the Road

Julian Junior Marvin of Bob Marley’s Wailers at Philly’s Ardmore Music Hall, Feb. 1, 2019

By M. Peggy Quattro

February brought the kick-off of Julian Junior Marvin’s “Message of Love” tour 2019. The famed Wailers lead guitarist presented two sold out shows in Philadelphia (Feb. 1) and Washington, DC (Feb. 2).  The band of talented musicians and singers were warmly welcomed inside Philly’s Ardmore Music Hall and DC’s Hamilton Live.

Featured on stage with Junior Marvin are Drix Hill and Samuel “Earth” Maxwell on keys, Dino Yeonas on guitar, Stephen Samuels on bass, Ken Joseph on drums, Brother Fitzroy James on percussion, and harmony songbirds Simone Gordon and Hassanah Iroegbu.

Photos of Junior Marvin and the band from the Ardmore Music Hall and Hamilton Live, Feb. 1 & Feb. 1

Both shows were billed as Bob Marley Birthday Celebrations and the fans and friends who joined in the party were not disappointed. From “Exodus” and “Could You Be Loved” to “Waiting in Vain” and “Three Little Birds” and all the favorites in between, Junior delivered a passionate and personal performance, telling the audience BMW stories and encouraging sing-alongs.

Continue reading Julian Junior Marvin of Bob Marley’s Wailers is on a Mission

Inner Circle – Bad Boys of Reggae – V13#02 1995

2019 UPDATE: Congratulations to brothers Ian and Roger Lewis, co-founders of the Grammy-winning band Inner Circle, on receiving Jamaica’s Order of Distinction (the government’s sixth-highest civic honor) at a King’s House ceremony on October 21, 2019, in Kingston. Honored for Inner Circle’s more than 50-year musical contributions, their iconic lead singer Jacob Miller was also recognized and awarded, and his son Taki Miller accepted posthumously on his behalf.

Here is a Reggae Report interview and story by writer and editor Sara Gurgen after catching up with bandleader Roger Lewis following Inner Circle’s 1994 Grammy nomination for Best Reggae Album (they won that Grammy in 1993!)

INNER CIRCLE  Miami’s “Bad Boys” Nominated for ’94 Grammy

by Sara Gurgen

They won the Grammy for best 1993 Reggae album, and now Inner Circle–Miami’s world-famous, hard-working “Bad Boys” of Reggae–have been nominated for the 1994 Grammy with their latest Big Beat/Atlantic release, Reggae Dancer.

“It’s doing excellent, man, everywhere in the world; and when I mean excellent, I mean excellent,” said band leader and rhythm guitarist, Roger Lewis, in a recent Miami interview during a brief respite from Inner Circle’s hectic touring schedule.

“It is one of the biggest selling foreign albums in Japan. Over 300,000 albums [have sold] in Japan [as of Dec. 21]. Hundreds of thousands in Mexico. In Brazil, in Europe–very well. In America, it’s not doing too bad. I think we made it up to about 200,000 copies.”

One of the songs on the album that has been released worldwide and doing very well is “Games People Play.” “It was not really a success in America, but ‘Games People Play’ was literally a hit single everywhere else in the world,” explained Roger. “It was a top 10 song in about 10 countries in Europe. It didn’t really go No. 1 and do what “Sweat” did, but it was top 10 in Holland, in Germany, in Scandinavia, in Brazil; and it was No. 1 in Japan.”

Another stand-out track on the 12-song album that has been released as a single, along with a video, is “Black Roses,” also the name of Inner Circle’s 1990 album. “It’s a great song, man,” exclaimed Roger. “‘Black Roses’ is like a vibe song, you know, dealing with the children and the injustices towards kids in the world. If you look into the world today, you have child labor; you have slave labor in India; you have child prostitution in Asia; you have people killing kids. That’s what ‘Black Roses’ is about, my garden of black roses. What we talk about a lot in our show is abuse to children and also world unity and respect for each other in this world. We try to solve this racial business. There’s only one race, and that’s the human race.”

Roger said that there is no particular theme or concept behind Reggae Dancer, which, with the exception of one song, was written by the band. “We didn’t really approach it with a concept. It’s not like it’s a love album or a party album. It has everything in there. You know, mix-up business–all spectrums of life, from ‘Reggae Dancer’ to ‘Summer Jammin” [featured in the film and soundtrack album Beverly Hills Cops III] to ‘Signs,’ talking about prejudice, to ‘Walking on the Rainbow,’ talking about unity.

“Everything we do is Inner Circle style,” Roger continued. “We don’t try and copy no guy’s style. This is just Inner Circle’s vibe of Reggae music. Our interpretation, our feel for the big tree of Reggae. Bob Marley has his style, we have our style–how we feel to put it over. A lot of times people want to put us in this bag. You know, ‘you are supposed to be traditional Reggae.’ I don’t know about all of that. I just know that we make music from our heart and how we feel within the vein of Reggae; and if you like it, you like it and if you don’t, I can’t help you.” When asked what he thinks about the state of Reggae today and where he hopes to see it go in the future, Roger responded: “As long as it is successful, fine with me. I know what I like. I like the cultural vibes and everything; but everybody has their own vibe, and what the people love, the people love. Variety is the spice of life.”

Roger’s favorite song on Reggae Dancer is “24-7-365” because “it depicts what we are all about. We are always working 24-7-365. You understand that Inner Circle was like an underdog group. A lot of people never liked Inner Circle for some reason. Them never think that we have the talent to really make it or whatever. [The band’s success] is a true testimony to hard work and perseverance. Our point is to reach our goal [which] is to leave a Reggae legacy behind us.”

Inner Circle’s roots can be traced back to more than 20 years ago in Kingston, Jamaica, where founding members Roger and his brother Ian Lewis (bass), joined forces with keyboardist Touter Harvey and singer Jacob “Killer” Miller. Their career climbed throughout the ’70s and then came to a sudden halt when Jacob was killed in a car crash in 1980. Soon after Jacob’s untimely, tragic passing, Ian and Touter moved to Miami and set up Top Ranking Records (which later evolved into Circle Sounds Studio). A few years later, Roger moved to Miami as well. They brought in dynamo drummer Lancelot Hall and impressive lead vocalist Calton Coffie, and in no time the new line-up released the highly acclaimed, One Way (Ras Records, 1987), featuring their smash hit “Bad Boys” which became the theme song for the FOX network’s hit TV show Cops. “Bad Boys” was nominated for an Emmy as Best Theme Song for a docudrama, and became a No. 1 hit in Norway and England and went platinum in Sweden. In 1990, the new Inner Circle came out with their second release, Black Roses (RAS), which didn’t do as well as One Way. They came back with a vengeance in 1992 with their extremely successful Bad to the Bone (RAS), featuring the mega hit, “Make U Sweat.” Bad to the Bone was re-configured, with some track changes, to become the Grammy award-winning Bad Boys, Inner Circle’s debut Big Beat/Atlantic release. The album included a remixed “Make U Sweat,” called “Sweat (a La LA LA Long),” which became an international hit. The song reached No. 1 in every European country, except Greece and England, and reached No. 1 in nearly every South American country.

Since the Grammy, Inner Circle has had a chance to perform in many of those countries. “We’ve been all around the world. We’ve been to Europe. We’ve been to Asia. You name it, we’ve been everywhere,” said Roger. “In March, we are going out to India, Thailand, Korea, Hong Kong, Taipei, Beijing–maybe the first Reggae group to play Beijing– South Africa, New Zealand. We are going to leave in March and not come back [to Miami] until May. Then we are going to Europe in early summer. Then we will be in America and Canada for the rest of the time, about three months. I think we are going to lock down shop from September and take those months off and start to work on a new album,” which they plan on releasing in 1996.

“Remember, we always work on our albums and our videos on the run. You have to realize that, you know. So this time, I think we are going to take time off from about September and really try and give [the project] some time, you know what I mean?”

Before ending the interview, Roger gave respect to cultural singer Garnet Silk who’s recent passing he said was “very, very, very tragic. I never really knew him very well, but the guy was so talented.” Roger’s final message to Reggae Report readers was: “Peace and love and unity, and stop the violence. Who have kids, spend time and look after them because they are the next generation.”

MPQ’s Response to Where Have All the Music Magazines Gone?

My Response to “Where Have All the Music Magazines Gone?”
Aaron Gilbreath| Longreads | Dec. 2018

By M. Peggy Quattro

Reggae Report International Magazine began as a one-page newsletter in 1983. However, my interest in, and commitment to, spreading the music and message began years earlier. One day, I promised myself, I would do all that I could to get the word out to a world of fans I knew were there – fans ready for and waiting for Reggae.

Remember, Reggae, as most of the universe knows it today, was born in Jamaica in the late 60s-early 70s, proudly rising on the shoulders of Ska and Rocksteady. 1983 was considered to be in the early stages of this Reggae phenomenon. I knew branching out was going to be a long, hard road to hoe…but hey, let’s get started! Continue reading MPQ’s Response to Where Have All the Music Magazines Gone?