Toots & the Maytals Awarded Reggae Grammy Posthumously

THE TOUGHEST

By Kevin Jackson, Jamaica Observer

Second Grammy win for Toots and The MaytalBy Kevin Jackson, Jamaica ObsERVER

Toots RIP by Lee Abel

March 15, 2021 – Singer Leba Hibbert is overjoyed that Got to Be Tough, the last studio album released by Toots and The Maytals, won the Grammy Award for Best Reggae Album yesterday.

The event was held virtually at Staples Center in Los Angeles.

The band’s leader was her father, Toots Hibbert, who died last September due to complications from COVID-19.

“This is so bittersweet. He died and didn’t get to accept the award himself. However, we are celebrating his win and we are grateful,” Hibbert, who also provided back-up duties for her father, told the Jamaica Observer shortly after the announcement

“This signifies more recognition to my father’s work and more fans. This is a great record and the songs speak about the times that we are living in. I’d say his win is historical,” she added. Continue reading Toots & the Maytals Awarded Reggae Grammy Posthumously

Return of Ladies in Reggae 2008

The Return of LADIES IN REGGAE

by Lloyd Stanbury

Millie Small - the 1st Female Reggae Star
Millie Small – the 1st Reggae Star to Sell a Million Records!

Kingston, Jamaica – In the early days of Jamaican popular music, our female singers and songwriters played a major role in propelling our music onto the world stage. In fact, the first major international Jamaican hit recording was by one of Jamaica’s female pioneers, Millie Small, with her 1964 million-selling single “My Boy Lollipop.” Its success opened the doors for such artists as Phyllis Dillon, Marcia Griffiths, Judy Mowatt, Hortense Ellis, Pam Hall, Rita Marley, Carlene Davis, J.C. Lodge, Cynthia Schloss, Lorna Bennett, Dawn Penn, Sheila Hylton, and Nadine Sutherland, all of whom established themselves as mainstream recording and performing artists.

Etana - New Generation of Powerful Female Singers
Etana – New Generation of Powerful Female Singers

For some strange reason, however, the early achievements of our female artists did not result in the kind of follow-through seen by their male counterparts. For many years, we have failed to produce top-class female Reggae recording artists and performers. With the exception of the local and international successes of Diana King, Patra, Sasha, Foxy Brown, and Lady Saw, female Reggae and Dancehall artists have become a very scarce commodity over the last 25 years. Continue reading Return of Ladies in Reggae 2008