One of the most satisfying cuts on Canadian DJ Snow’s new release, Murder Love, is a tale of his love affair with Reggae music called “Dream.” Here Snow reminisces about his days in Toronto’s Allenbury housing project, where he first became acquainted with Reggae through the friendships formed with the many Jamaicans who had moved into his area: Listen Shabba Ranks playing faintly from the speaker/I would eat mi curry chicken, that’s my favorite supper/If you think mi joke or lie, gwaan ask me mother/I would living on the island sweet, sweet Jamaica/Fish with Coco Tea down in the river/Hanging at the ghetto with me boy they call Ninja/No, but it’s only a dream.Continue reading →
Pato Banton and I are sitting atop the roof of the club where he is scheduled to perform in a few hours. Rather than conduct our interview in a stuffy tour bus or shout over the sound check taking place below, he obliges as I lead him through a cluttered storage room and up a make-shift ladder better suited for an acrobat than one of the most recognized names in Reggae. Below us, the seven members of his band, The Reggae Revolution, are tuning up and, one by one, joining in on a smoldering Dub of “Satta Amassagana.” We are watching a beautiful, and especially long, Santa Barbara sunset as the moon climbs high over the Pacific Ocean a few blocks away. He is nearing the end of an extensive three-month tour and looks forward to spending some time at home with his wife and two children, who are back in England. A few weeks away from his 33rd birthday, he seems as energetic and upful as ever.
Energetic and upful seem to define Pato Banton. He is like a constant whirlwind of touring and recording. As we sat down to talk, he is finishing up yet another North America tour, promoting a greatest hits package called Collections for long-time label, I.R.S. Records, and anticipating the worldwide release of the video for the album’s first song, “Baby Come Back” (a duet with bredren Robin and Ali Campbell of UB40).