Kingston, JA – Following his recent Barack Obama media blitz, veteran crooner Calvin ‘Cocoa Tea’ Scott is set to record an album inspired by the US Democratic Party presidential hopeful.
“Me have a new album which me a go put out and it a go name Barack Obama,” the Rastaman tells Splash during a visit to the Observer on Tuesday [Mar. 19]. Dressed in a black T-shirt, jeans, brown shoes with his locks bundled under a knitted tam, Cocoa Tea, who recently released Reggae Anthology: The Sweet Sounds Of Cocoa Tea, adds that the follow-up project is expected to hit the streets by August. Continue reading →
By Gregg Goldstein, as reported in The Hollywood Reporter
The family of Bob Marley has refused to license any of his music for a biopic that the Weinstein Co. is prepping — despite the fact that his widow, Rita Marley, is its executive producer.
The reason? There is a competing Martin Scorsese documentary being produced by the Marley family-owned Tuff Gong Pictures and Steven Bing’s Shangri La banner, the first theatrical docu to license Marley songs.
The family members involved in the Scorsese docu claim they were unaware that the Weinstein project would be unveiled so soon and believe that its projected late-2009 release date would interfere with their docu’s February 2010 release, which is timed to Marley’s birthday. Continue reading →
March 21, 2008 – Is Reggae music the only genre that releases hundreds of singles on a daily basis? I honestly do not know. However, what I do know is that the way we handle our business in the Reggae industry is affecting its monetary value.
Jamaica releases approximately 600 new songs daily. There are literally hundreds of producers spread out across the island. Some are your well-established heavyweights, while others are simply working with a drum machine at home. Whatever their situation, these producers drum up music by the minute. And, in an effort to be the next big thing or to maintain current momentum, they basically give away their music, all in the name of promotion. Continue reading →
March 17, 2008 – It was Feb. 21, 2008, and I had just arrived in Kingston for the Reggae Academy Awards. Riding in a taxi from the airport, I was surprised, and then stunned, when the driver suddenly muttered aloud, “Joe Gibb’ dead.” “What?,” I said, “for real?” “Yea mon…‘eart attack” he calmly replied. With another 20 minutes before reaching the hotel, I began to think about the man, Joe Gibbs – producer extraordinaire – and about the time I spent working alongside him at his record pressing plant in Opa Locka, Florida.
There is no doubt that Joe Gibbs will be remembered as one of the most preeminent producers in Reggae’s history. A hardcore entrepreneur who became a Reggae giant, Joe Gibbs was seemingly quiet, yet carried a gun, and feared no man…or woman. From the 60s, consistently through the 70s and 80s, Joe Gibbs surrounded himself with such great talents as Errol “Errol T” Thompson, Niney “the Observer” Holness, Bunny “Striker” Lee, and Lee “Scratch” Perry. Errol T and Joe formed a creative bond and were known as “The Mighty Two.” Together they revolutionized Reggae and Dub and packaged it for the world. Joe’s business and production sense, combined with ET’s outrageous engineering skills resulted in ground-breaking recordings.
Joe Gibbs’ name will be forever associated with Dennis “The Boy Wonder” Brown, producing most of the finest Reggae albums Brown ever made; every song a wonder. From D Brown’s early albums that included Words of Wisdom and The Prophet Rides Again, to the 1980 cross-over A&M Records Love Has Found a Way, with the international hit single of the same name, Joe Gibbs and Errol T super-charged the young singer’s career. With songs becoming hits, and records flying out the door, Joe Gibbs and Errol T changed the direction of Reggae music. Continue reading →
It is reported that Michael “Mikey Dread” Campbell, aka Dread at the Controls, passed on to Zion, Sat., March 15, 2008 at 7 p.m. EST. He was surrounded by his family in the home of his sister in Connecticut at the time of his passing.
Mikey Dread was born in 1954 in Port Antonio, a lush small town on the northeastern tip of Jamaica. Mikey was an avid student who loved electronics. In 1976, after graduating from college, Mikey started out as an engineer with the Jamaica Broadcasting Corporation (JBC). A collector of Reggae vinyl, Mikey wasn’t satisfied with the bland, foreign playlists that dominated the JBC radio waves, especially since the best Reggae was being recorded in their own backyard. After convincing JBC to give him his own radio program, “Dread At The Controls,” he assumed the moniker Mikey Dread, played nothing but Reggae and soon had the most popular show on JBC. Continue reading →