Pato Banton and I are sitting atop the roof of the club where he is scheduled to perform in a few hours. Rather than conduct our interview in a stuffy tour bus or shout over the sound check taking place below, he obliges as I lead him through a cluttered storage room and up a make-shift ladder better suited for an acrobat than one of the most recognized names in Reggae. Below us, the seven members of his band, The Reggae Revolution, are tuning up and, one by one, joining in on a smoldering Dub of “Satta Amassagana.” We are watching a beautiful, and especially long, Santa Barbara sunset as the moon climbs high over the Pacific Ocean a few blocks away. He is nearing the end of an extensive three-month tour and looks forward to spending some time at home with his wife and two children, who are back in England. A few weeks away from his 33rd birthday, he seems as energetic and upful as ever.
Energetic and upful seem to define Pato Banton. He is like a constant whirlwind of touring and recording. As we sat down to talk, he is finishing up yet another North America tour, promoting a greatest hits package called Collections for long-time label, I.R.S. Records, and anticipating the worldwide release of the video for the album’s first song, “Baby Come Back” (a duet with bredren Robin and Ali Campbell of UB40).
“In this great future, you can’t forget your past … so dry your tears I say…” (No Woman No Cry)
Bob Marley: The Legend Lives On
A Conversation with his Mother… Cedella Booker
By M. Peggy Quattro
(RR Publisher MPQ shares her 1st interview with Ms B, at her home, in 1984)
(A link to a portion of the interview audio is below!)
Walking around the grounds surrounding the great house in southwest Miami, you sense the peace and comfort Bob found there. MOTHER B, looking radiant and youthful following a loss of 60 odd pounds, cheerfully discusses her own interesting part in this lingering legend.
I listen attentively as MOTHER B proudly points to her growing garden explaining what is there… “there’s calaloo and sugar cane, a yam hill and pumpkin patch.” As she speaks you detect the knowledge, wisdom and love this woman has for the growing of food. And so it should be . . . as the daughter of a well-respected and gentle farmer, Mrs. B grew to learn and love planting and farming. Born and raised in St. Ann’s, a rural [Jamaican] parish, a youthful Cedella worked hard with her brothers and sisters in the field high up in the village of Rhoden Hall (Nine Mile). This is where BOB was born February 6, 1945, and it was at some point a few years later the two of them packed off for a new life “to town” (Kingston). Continue reading →
Old Pirates, Yes They Rob I…
(Reggae Report V5#3 1987 – Part 1 of 3 Estate Stories)
by M. Peggy Quattro
Since the departure of maestro Bob Marley in May 1981, Reggae industry personnel continue to grope for stability in a rocky music business world.
As the positiveness and righteousness of the prophet’s message become universally accepted, Brother Bob’s own personal estate and the effects have recently come under serious discrepancy.
The sordid details begin as far back as that day, May 11th, when Bob Marley’s earthly career climaxed at Miami’s Cedars of Lebanon Hospital. It was approximately 11am when manager Don Taylor received a call from Rita Marley instructing him to report to Cedars Hospital immediately. It was there he met Bob’s mother, Cedella Booker, who had devotedly been with her son to the very end. Continue reading →
10 Years Gone. M. Peggy Quattro presented an emotional eulogy for the amazing Cedella Marley Booker at Fairchild Tropical Garden, Miami, FL
Mother B Went Home to Zion on April 8, 2008.
Greetings brothers and sisters.It is an honor to be here and a privilege to share in this blessed occasion. Thank you Richard and Pearl, Anthony and Bob, Jimmy, Sharien and Rita, for sharing your mother with me – with all of us here – with the world. That could not have been easy.
Ms B once told me that her purpose in life was to be around people, to share thoughts and to share love.That is our purpose here this evening.People at every turn wanted a moment with Mama…a quick visit …a word…a laugh… and those lucky souls, like me, left more inspired and uplifted than when we came. Continue reading →
Wailers’ captain Aston “Familyman” Barrett and guitar legend Al Anderson teamed up in July to tour five cities, in five states, in five days. Following nearly 10 years of performing separately, the two Wailers’ came together for a memorable tour in the Northeast. The talent-filled band included musicians Aston Barrett Jr. on drums, lead singer Josh David Barrett, guitarist and singer Chet Samuel, bassist Omar Lopez, and Dane “Tazz” Cole on keyboards and vocals. Continue reading →
Miami – May 8, 2016 — The weather was perfect, the music was sweet as hundreds of fans flowed through Wynwood Yard for this special Mother’s Day show. The House of Marley, an eco-friendly brand of personal electronics, brought together two Reggae superstars – the genre defying Ky-mani Marley and the hottest new Reggae revivalist, Chronixx.
Wynwood Yard is a slice of Jamaica in the middle of the bustling Miami metropolis. Fab food, merch booths, & bars offering Red Stripe and Guinness surrounded the gravelly yard, while the stage was planted firmly on the NW 29 St. side. I would only request next time that the stage be a foot or two higher so the crowd in the back could actually see the show. Front stage was tightly packed with fans of all ages, shades, and cultures eager to sing and dance along with the eagerly awaited performers.
Ky-mani brought his hottah Konfrontation band, featuring two female singers who were simply entertaining to watch. Ky-mani kicked off with his father’s “Who the Cap Fit” and “Concrete Jungle,” which got the crowd fired up. He talked to the crowd and wished all the mother’s dem a happy mother’s day, which delivered a roar from all the women there. He turned out a super-energetic performance while delivering songs off his latest album, Maestro. Fans sang along with “Keepers of the Light” and “Love Over All” while Ky-mani danced and twirled around the very small stage. Continue reading →