Exclusive Meet & Greet Receptions Expand to 19 Cities with Proceeds Going Toward Ghetto Youths Foundation
Mystic Marley Opens Select Dates in March
On February 25, the eight-time GRAMMY®-winning musician Stephen “Ragga” Marley will kick off an intimate acoustic U.S. tour in support of his latest 5-track EP, One Take: Acoustic Jams, released November 2018 on the Marley family’s Ghetto Youths International imprint. For one month, the 23-city run will span the South, Southwest and West Coast. Continue reading →
February brought the kick-off of Julian Junior Marvin’s “Message of Love” tour 2019. The famed Wailers lead guitarist presented two sold out shows in Philadelphia (Feb. 1) and Washington, DC (Feb. 2). The band of talented musicians and singers were warmly welcomed inside Philly’s Ardmore Music Hall and DC’s Hamilton Live.
Featured on stage with Junior Marvin are Drix Hill and Samuel “Earth” Maxwell on keys, Dino Yeonas on guitar, Stephen Samuels on bass, Ken Joseph on drums, Brother Fitzroy James on percussion, and harmony songbirds Simone Gordon and Hassanah Iroegbu.
Both shows were billed as Bob Marley Birthday Celebrations and the fans and friends who joined in the party were not disappointed. From “Exodus” and “Could You Be Loved” to “Waiting in Vain” and “Three Little Birds” and all the favorites in between, Junior delivered a passionate and personal performance, telling the audience BMW stories and encouraging sing-alongs.
My Response to “Where Have All the Music Magazines Gone?”
Aaron Gilbreath| Longreads | Dec. 2018
By M. Peggy Quattro
Reggae Report International Magazine began as a one-page newsletter in 1983. However, my interest in, and commitment to, spreading the music and message began years earlier. One day, I promised myself, I would do all that I could to get the word out to a world of fans I knew were there – fans ready for and waiting for Reggae.
Remember, Reggae, as most of the universe knows it today, was born in Jamaica in the late 60s-early 70s, proudly rising on the shoulders of Ska and Rocksteady. 1983 was considered to be in the early stages of this Reggae phenomenon. I knew branching out was going to be a long, hard road to hoe…but hey, let’s get started! Continue reading →
Miami’s “Bad Boys” Nominated for ’94 Grammy
by Sara Gurgen
They won the Grammy for best 1993 Reggae album, and now Inner Circle–Miami’s world famous, hard-working “Bad Boys” of Reggae–have been nominated for the 1994 Grammy with their latest Big Beat/Atlantic release, Reggae Dancer.
“It’s doing excellent, man, everywhere in the world; and when I mean excellent, I mean excellent,” said band leader and rhythm guitarist, Roger Lewis, in a recent Miami interview during a brief respite from Inner Circle’s hectic touring schedule. “It is one of the biggest selling foreign albums in Japan. Over 300,000 albums [have sold] in Japan [as of Dec. 21]. Hundreds of thousands in Mexico. In Brazil, in Europe–very well. In America, it’s not doing too bad. I think we made it up to about 200,000 copies.”
One of the most satisfying cuts on Canadian DJ Snow’s new release, Murder Love, is a tale of his love affair with Reggae music called “Dream.” Here Snow reminisces about his days in Toronto’s Allenbury housing project, where he first became acquainted with Reggae through the friendships formed with the many Jamaicans who had moved into his area: Listen Shabba Ranks playing faintly from the speaker/I would eat mi curry chicken, that’s my favorite supper/If you think mi joke or lie, gwaan ask me mother/I would living on the island sweet, sweet Jamaica/Fish with Coco Tea down in the river/Hanging at the ghetto with me boy they call Ninja/No, but it’s only a dream.Continue reading →
Pato Banton and I are sitting atop the roof of the club where he is scheduled to perform in a few hours. Rather than conduct our interview in a stuffy tour bus or shout over the sound check taking place below, he obliges as I lead him through a cluttered storage room and up a make-shift ladder better suited for an acrobat than one of the most recognized names in Reggae. Below us, the seven members of his band, The Reggae Revolution, are tuning up and, one by one, joining in on a smoldering Dub of “Satta Amassagana.” We are watching a beautiful, and especially long, Santa Barbara sunset as the moon climbs high over the Pacific Ocean a few blocks away. He is nearing the end of an extensive three-month tour and looks forward to spending some time at home with his wife and two children, who are back in England. A few weeks away from his 33rd birthday, he seems as energetic and upful as ever.
Energetic and upful seem to define Pato Banton. He is like a constant whirlwind of touring and recording. As we sat down to talk, he is finishing up yet another North America tour, promoting a greatest hits package called Collections for long-time label, I.R.S. Records, and anticipating the worldwide release of the video for the album’s first song, “Baby Come Back” (a duet with bredren Robin and Ali Campbell of UB40).
May 11, 1981 was another beautiful Miami Monday morning. The excitement and anxiousness of starting a new job made for some tense nerves, not uncommon with the unknown. I drove to the Datran Center in South Dade to begin my new chapter as Don Taylor’s Assistant Manager. I arrived shortly before my 10 a.m. start time. Don Taylor Artist Management (D.T.A.M.) managed Bob Marley, Jimmy Cliff, and Gregory Isaacs, and this was all a bit much for me to believe. I knew of and loved all three singers since my days living in Nürnberg, Germany in the 1970s; sadlyI also knew these were the final days for Bob Marley on this earthly plane. Tense nerves, indeed.
My initial meeting was with Betsy Berg, the young lady I would be replacing. I passed the first round of interviews with her and she highly recommended me to Don Taylor. That week leading up to my first day had me meeting a few times with Taylor, always on the phone. “Why do you want this job?” was the first question. “Because I love Bob Marley and Jimmy Cliff… I love the message, the music, the call for the underdog to “get up, stand up.” S eriously. It was the truth. It worked.
From his fancy hotel room in LA, the street-smart Taylor, a self-made millionaire who grew up in a waterfront East Kingston ghetto, played hardball over salary negotiations with Quattro, the little Italian from Steel Town Ohio. Following a moment of me saying, “Ahhh…no thanks,” we finally (thankfully!) came to an agreement. He filled me in on Bob Marley’s current condition and let me know Jimmy Cliff was flying in that week. He mentioned returning to Miami the next morning and asked that I come in for a meeting. Continue reading →