A tired voice greets me on a Sunday night, sounding as if its owner has not slept in days. When asked how the weekend went, rather than stories of relaxing or partying, all that is said is, “busy, very busy, working.” Not the expected answer from a 24-year-old, even more surprising is the fact that his work has actually become easier lately. “I used to do it all. I was the manager, producer, everything,” says Jamaica-born Camar.
These days, work is simply putting out an album. The fun part comes when he is actually in the booth; it is the hours and responsibilities that have made it a job. Even with 13 songs recorded, this “job” doesn’t seem to be over anytime soon. Other than the raspy voice, there is no evidence of complaints coming from one of the newest names on the famed Slip-N-Slide roster. The multi-tasking artist is taking advantage of finally being signed to a label that will make it easier to profess his eclectic sound. Continue reading →
QWOTE – Soulful Hip-Hop Performer Makes Musical Sense
By Melissa Gonzalez
May 26, 2008 – Miami, FL – R&B and Hip-Hop have shared a bond since early on. The love between the two music forms stayed strong through East & West, Nas & Jay-Z. Even while Common and Cube called each other “bitches,” they stayed strong. Many out there may wonder what the secret is. Could it be that Hip-Hop can’t get enough of those melodic love tunes?
This is probably what the execs at Slip-N-Slide Records were thinking when they signed, Qwote, one of their newest soulful, Hip-Hop artists. The 25-year-old Miami resident Born Jimmy Leonard) is enjoying regular airplay, while sharing the spotlight with label-mate, “Still the Baddest” Trina, on his debut single, “Don’t Want to Fight.” It may seem like over-night success to those who do not keep up with the behind-the-scenes happenings of the music industry, but in all reality, Qwote has been working for many years to get to this point. Continue reading →
January 2008 – Potential video starlets/groupies roam around in barely-there outfits. The aroma of cheap weed lingers and mixes with that of wet concrete on the cracked Overtown sidewalk. Aside from the shimmering of gold chains and dubs, there is much dreariness in the ‘hood.’ This inner-city neighborhood, one of Miami’s many hoods, is not about flashiness, it is about getting by. For many, it is the reality Miami very often lacks when considering the surgically attained beauty and rampant riches that are prevalent in the ‘305.’
Almost three hours after arriving on the set, and close to 12 hours into the video shoot for “I’m So Hood,” a single from his second album We The Best, I notice Miami’s DJ Khaled rushing through a wardrobe change. Continue reading →